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Showing 166 to 180 of 554 results Save | Export
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Kang, Sangmi; Yoo, Hyesoo – General Music Today, 2016
This article introduces "samulnori" (Korean percussion ensemble), its cultural background, and instructional methods as parts of a classroom approach to teaching upper-level general music. We introduce five of eight sections from "youngnam nong-ak" (a style of samulnori) as a repertoire for teaching Korean percussion music to…
Descriptors: Music, Music Education, Music Teachers, Video Technology
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Jones, Patrick M. – Music Educators Journal, 2015
The Naval School of Music was founded in 1935 in response to the poor performance level of the U.S. Navy's bands at that time. The school evolved from an adjunct operation of the U.S. Navy Band into a tri-service institution serving the Army, Navy, and Marine Corps with dedicated facilities, courses for musicians and band leaders, and courses to…
Descriptors: Music Education, Armed Forces, Musical Instruments, Military Personnel
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McCourt, Susan; Kelley, Sybil S. – Science and Children, 2016
Most young children love a good song and dance, an enticing story, and gorgeous illustrations. How could this staple of the early childhood classroom--music and literature--access children's ideas about physical science? How can young children communicate their knowledge of unseen science concepts that are not easily represented in pictures? These…
Descriptors: Science Instruction, Scientific Concepts, Young Children, Knowledge Level
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Matsunobu, Koji – Harvard Educational Review, 2013
This article describes how the author, Koji Matsunobu, a musician and teacher of the piano in Japan, was introduced to the concept of bimusicality in ethnomusicology. Akin to second language acquisition, bimusicality refers to the mastery of a musical idiom other than that associated with one's own culture. Applied in music education, it…
Descriptors: Music Education, Music Teachers, Profiles, Cultural Influences
Powers, Keith – Teaching Music, 2013
Keeping one's self inspired in the music classroom is all about connections. Sometimes educators need to look at what they're doing from a different perspective. Luckily, there's no shortage of ways to revitalize one's classroom approach, and to help the author explores a few, he made use of some connections of his own, turning to five educators…
Descriptors: Teaching Methods, Music Education, Music, Singing
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Taylor, Angela – Music Education Research, 2015
This article discusses the use of interpretative phenomenological analysis (IPA) in a mixed methods research design with reference to five recent publications about music in the lives of mature age amateur keyboard players. It explores the links between IPA and the data-gathering methods of "Rivers of Musical Experience",…
Descriptors: Phenomenology, Mixed Methods Research, Correlation, Auditory Stimuli
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Howard, Karen – General Music Today, 2014
The concept of ngoma is present throughout Eastern and Southern Africa. Ngoma refers to the tradition of expression via music, drumming, dance, and storytelling. History, values, education, and even identity can be transmitted between generations. This article traces the experiences of a music teacher from the United States traveling and studying…
Descriptors: Foreign Countries, Music, Traditionalism, Musical Instruments
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Cunnah, David – Physics Education, 2014
In this paper I propose a method of calculating the time between line captures in a standard complementary metal-oxide-semiconductor (CMOS) webcam using the rolling shutter effect when filming a guitar. The exercise links the concepts of wavelength and frequency, while outlining the basic operation of a CMOS camera through vertical line capture.
Descriptors: Video Technology, Scientific Concepts, Photography, Physics
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Hanken, Ingrid Maria – Arts and Humanities in Higher Education: An International Journal of Theory, Research and Practice, 2016
Research on peer learning in higher education indicates that learning from and together with peers can benefit students in a number of ways. Within higher music education in Western, classical music, however, the master-apprentice tradition with its dominant one-to-one mode of tuition focuses predominantly on knowledge transmission from teacher to…
Descriptors: Music Education, Seminars, Learning Processes, Excellence in Education
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Patston, Tim; Loughlan, Terence – Victorian Journal of Music Education, 2014
This article discusses the use of beta-blockers by performing artists, the reasons why they are taken, and the potential associated risks. We argue that there are high levels of usage within sectors of the professional performing arts community and that there may be high levels of risk in using these medications, particularly without medical…
Descriptors: Music, Music Education, Musical Instruments, Musicians
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Chaseling, Marilyn; Boyd, William E. – Australian Journal of Music Education, 2014
This paper overviews the decline and revival of music education in New South Wales schools from 1920 to 1956. Commencing with a focus on vocal music during the period up to 1932, a time of decline in music teaching, the paper examines initiatives introduced in 1933 to address shortcomings in music education, and the subsequent changes in…
Descriptors: Foreign Countries, Music Education, Educational Trends, Educational History
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Hebert, David G. – Music Educators Journal, 2015
Soldiers deserve respect for their courageous sacrifices, and a strong military is necessary to the safety of any nation, but militarism--excessive emphasis on the military and its interests--threatens the cultural balance of society. Militarism endangers the quality of school music education due to its tendencies to (1) encourage allocation of a…
Descriptors: Armed Forces, Military Personnel, Music Education, Skill Development
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Tolson, Jerry – Music Educators Journal, 2012
The interpretation of jazz style is crucial to the element of swing in any jazz ensemble performance. Today, many charts for both large and small instrumental and vocal jazz ensembles are well marked with articulations and expression markings. However, in some cases, there is nothing to guide the musician. This article addresses some common jazz…
Descriptors: Guidelines, Music, Musicians, Singing
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Birnie, Rebecca A. – General Music Today, 2014
The excitement of playing an instrument is one of the greatest motivating forces in teaching general music to students. The autoharp, which may be long forgotten in the general music classrooms of the 21st century, is an ideal instrument to "re-introduce" to students. The teaching of a traditional folk instrument provides advantages for…
Descriptors: Musical Instruments, Music Education, Teaching Methods, Folk Culture
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Thibeault, Matthew D. – General Music Today, 2014
This column explores from a philosophical perspective how sound recording and media create a context different in consequential ways for music education. The author relates the story of his connection to his son through the ukulele in two ways: first, through playing and singing together; and second, through a recording of their music. These…
Descriptors: Music Education, Music, Musical Instruments, Educational Philosophy
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