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Showing 166 to 180 of 383 results Save | Export
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Smith, Kenneth H. – General Music Today, 2011
One computer, one class, and one educator can be an effective combination to engage students as a group in music composition, performance, and analysis. Having one desktop computer and a television monitor in the music classroom is not an uncommon or new scenario, especially in a time when many school budgets are being cut. This article…
Descriptors: Music Education, Creative Teaching, Computer Software, Computer Uses in Education
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McFerran, Katrina – Prevention Researcher, 2011
Music therapy is a promising intervention with bereaved youth. In comparison to other programs, it appears particularly effective for promoting the resolution of grief-related feelings; providing opportunities to express and release feelings through musical participation. Descriptions from music therapy participants are supported by research…
Descriptors: Intervention, Creativity, Grief, Music
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Blazar, David – English Education, 2011
The author shares his experiences teaching a unit based on the Broadway musical "In the Heights" as a way of engaging the cultural identity of his students, mainly Dominican Americans. The unit he created around the musical was initially built in an effort to make Dominican culture overt in the classroom, fulfilling pedagogical ideas…
Descriptors: Cultural Pluralism, Latin Americans, Musical Composition, Theaters
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Kaschub, Michele; Smith, Janice P. – Research and Issues in Music Education, 2009
Building on an apposition of the theories of neurobiologist Antonio Damasio and music theorist Heinrich Schenker, we posit a new model for developing composition instruction based upon the organic connections between humans and music. Parallels are drawn between Damasio's theory of consciousness in which meaning arises from the relationships…
Descriptors: Music, Teaching Methods, Music Education, Musical Composition
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Robinson, Nathalie G.; Bell, Cindy L.; Pogonowski, Lenore – Music Educators Journal, 2011
The creative music strategy is a dynamic and flexible seven-step model for guiding general music students through the music concepts of improvisation and composition, followed by critical reflection. These are musical behaviors that cultivate the development of our students' deeper conceptual understandings and music independence by helping them…
Descriptors: Music Education, Music, Creativity, Educational Strategies
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Johnson, Erik – Music Educators Journal, 2011
Teachers who conduct ensembles of any ability level know that many skills are required for students to successfully participate. Often neglected or overlooked are the skills that students must have to interact musically with their peers. This article focuses on listening as a way to help make successful ensemble collaboration a reality. The method…
Descriptors: Music Education, Music, Power Structure, Interaction
Criswell, Chad – Teaching Music, 2009
If one asks many small-town band directors, most will say that working and performing with a small band can be just as satisfying and musically robust as directing a larger one. There are a lot of advantages as well; smaller class sizes, fewer extracurricular activities, and more time to work one on one with students are just a few of the benefits…
Descriptors: Music Education, Musical Instruments, Teaching Methods, Music Teachers
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Baxter, Marsha – International Journal of Education & the Arts, 2010
How might songs, like John Lennon's "Imagine" or Bob Dylan's "Blowin' in the wind", offer ways to explore alternative ways of being in the world, to challenge the status quo? How might these songs become springboards for original pieces that capture students' ideas about world issues? In this article, I observe what happens…
Descriptors: Musicians, Grade 5, Elementary School Students, Social Justice
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Tanner, Chris – Music Educators Journal, 2010
In the past few decades, the steel band art form has experienced consistent growth and development in several key respects. For example, in the United States, the sheer number of steel band programs has steadily increased, and it appears that this trend will continue in the future. Additionally, pan builders and tuners have made great strides in…
Descriptors: Conferences (Gatherings), Music Education, Music, Musicians
Curriculum Review, 2008
"You must take the A Train to go to Sugar Hill way up in Harlem" trills one of Duke Ellington's foremost contributions to the American songbook. Guests at the Cotton Club in the Sugar Hill neighborhood may have had the pleasure of watching Duke Ellington and his orchestra in a tightly arranged, polished performance, but never has Ellington's…
Descriptors: Music, Musicians, Music Education, Musical Composition
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Moats, Stacie; Poxon, Stephanie – Social Education, 2011
It seems each generation of young people finds new ways to express life's complex emotions and experiences through music. As a favored outlet for self-expression, music also provides future generations with a fascinating historical record. Sound recordings and sheet music of once popular songs offer unique opportunities for students to analyze…
Descriptors: Music, Primary Sources, Teaching Methods, History Instruction
Mooney, Carolyn – Chronicle of Higher Education, 2009
This article reports that for the opening of a huge new life-sciences building on its campus, Syracuse University wanted to capture the sense of expansiveness shared by architecture and science. It commissioned the composer Robert Ward to write a musical composition, "In Praise of Science," which was performed at the building's dedication late…
Descriptors: Musical Composition, Music Education, Partnerships in Education, Documentaries
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Guderian, Lois Veenhoven – General Music Today, 2012
This article describes an approach to general music where assignments in music improvisation and composition are embedded into the curriculum, that is, creative assignments are given as an outgrowth of curriculum content and directly related to instruction and activities in conceptual learning and skill development in the classroom. Such an…
Descriptors: Assignments, Music Education, Music, Creative Activities
Randall, Mac – Teaching Music, 2009
Repertoire selection is a balancing act on many levels, but the essential balance is that between education and emotion. If a given piece doesn't provide some element that can be used for the purpose of instruction, it's probably not worth considering. And yet it's also necessary to consider the emotional impact of a piece to judge it fully. This…
Descriptors: Popular Culture, Music Education, Musical Composition, Emotional Response
Strouse, Lewis H. – Teaching Music, 2009
Before rehearsals begin, conductors need to thoroughly study the score. What elements go into a comprehensive score preparation? To learn music scores efficiently, having a detailed and systematic study method helps. The author has developed a score preparation guide that works for directors of bands, choruses, and orchestras, even when there's…
Descriptors: Music Education, Music, National Standards, Musicians
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