With restrictions during the COVID-19 pandemic, we shifted to a video dance performance experience for the Fall 2020 semester at our university. We decided to use a drone to film an outdoor performance of our tap ensemble. This turned out to be a very successful performance experience for dancers, choreographers, and the online audience. This…

Returning to studios after COVID-19, student-teacher tensions seem to be higher than ever. Teenagers who spent the beginnings of their young adulthood in isolation clash with instructors who might mistake their stress and insecurity for apathy and laziness. In this article, I examine my personal experience with teaching teenagers and offer…

With the advent of the global pandemic wrought by COVID-19, much of the world's citizenry was forced to immediately pivot to new ways of doing business. This included shifting instructional delivery systems around the globe to online platforms. In the US and elsewhere, the dance education community displayed remarkable resiliency and perhaps more…

The impacts of the COVID-19 pandemic and the consequent social isolation can intensify some Parkinson's disease (PD) motor and non-motor symptoms. To minimize the damage to the physical and mental health of people with PD, strategies to promote health in this population must be adapted to the new reality. Considering the negative impact of social…

This paper describes the "Virtual Borders" project developed in response to the dramatic changes in dance teaching and learning globally, arising from the COVID-19 pandemic. Drawing from action research, "Virtual Borders" presents an innovative adoption of Peirce's sign theory to tertiary dance choreographic pedagogy, that…

During dance, endorphins, the so-called happiness hormone, are released--a fact that undoubtedly favors contacts with others as well as is an excellent opportunity to establish or strengthen them. Nowadays, with dynamically progressing digitization, dance has also found its place on the Internet. Both individual users and organizations see the…

The COVID-19 pandemic entered Trinidad and Tobago on 12 March 2020. We immediately went into lockdown and borders were officially closed to all travellers, including nationals. The Prime Minister, Dr. Keith Rowley, cancelled Carnival for 2021 on 28 September 2020. This was devastating news for a culture and economy dependent on the celebrations.…

For arts practitioners and the creative community, the response to COVID has meant cancellations or postponements and a rethinking of how to share stories. The same too can be said for how students experience the arts in school. For two years in a row the biennial and much anticipated school production was cancelled due to COVID disruptions, not…

Archiving is a process of organizing and creating content for sustainable, long-term access. However, the "archivists" actively shape the content in the realm of the performing arts, which often involves adding a new layer of knowledge to the original artform. This article explores the archiving of a ballet repertory course conducted in…

Upon the convergence of the twin epidemics of COVID-19 and racial injustice in 2020, the Delaware Dance Education Organization (DDEO) responded by creating and presenting interactive professional development webinars that ranged from sharing how dance history is a microcosm of the world to the impact culture has on personal behaviors. Through the…

The COVID-19 pandemic raised concerns that academic skills would wither away during the lockdown and with it, social-emotional skills. This is assumed to be as true for neurotypical students as for neurodiverse ones. When students return to their schools, how will they function again in their social environment? The key to addressing the…

This article introduces Performing Ourselves, an interdisciplinary community dance program that utilizes principles from dance education and dance/movement therapy to serve beginning dancers in grades PK-8 in schools and community centers. After defining the integrative elements of the curriculum, the article outlines how Performing Ourselves used…

Dance as an art form continues to be undervalued; however, more exposure to dance at a young age can spur the next generation's enthusiasm for it. As an Associate Professor of Dance, my creative practice as research involves the application of creative engagement methods for young doers and viewers, while simultaneously enhancing their…

The central question in this paper is: What kind of knowledge is acquirable in the process of copying dance via a video? This question is approached through choreographic practice, teaching and learning experiences, as well as theoretical research. Subjects that are raised include the transmission of embodied knowledge in digital environments, the…

"Q: "What time is it?" A: "Skin, past flesh, goin' on to bone."" As descendants of stolen Black bodies in the 'New World', many dancing Jamaicans have become living anachronisms, unconsciously embodying retentions of life-renewing cultural movement practices past spirit and bone, into flesh and skin. Jamaican tertiary…