Authors for young adult literature often present their tales directly through the voice of the story narrators. However, Kashmira Sheth, in her "Boys without Names," seeks to present her tale, specifically the issue of child labor, through the use of frame stories which are recounted by two or more narrators. Through frame stories, the…

Historians typically tell stories about the past, but how are we to understand the epistemic status of those narratives? This problem is particularly pressing for history education, which seeks guidance not only on the question of which narrative to teach but also more fundamentally on the question of the goals of instruction in history. This…

Hollis Sigler was an artist, teacher, and activist. Her works seductively invite us to consider fantasies and challenge to confront the monsters. Sigler's narrative artwork after 1991 focused almost exclusively on issues relating to her and her family's history with breast cancer. It purposefully calls into question the capricious nature of life…

This article begins by contrasting the popularity of biography in the general culture with the neglect of literary biography as a branch of literary studies. The argument follows from the hybrid character of a genre in which history is crossed with narrative. Using concepts drawn from narratology, it shows how biography's handling of life stories…

Discusses and appraises the work of Nobel Prize winning black author Toni Morrison. Locates thematic and stylistic antecedents in the works of Fyodor Dostoevsky and Ernest Hemingway. Compares and contrasts Morrison's work with Ralph Ellison's "Invisible Man" and discusses the critical reception of black authors. (MJP)

Considers how foreign language students can be trained to apply focalization to get beyond the mere content-oriented teaching of literature and work toward understanding what authors do in their texts and appreciate how they do it. (CB)

Suggests that by studying and writing dime novels, students can develop their understanding of literary history and gain skill in working with such literary concepts as theme, plot, setting, and characterization. (MM)

This guidebook is designed to help teachers think about the important role of assessment in guiding students' narrative writing, with an emphasis on the close connections among curriculum, instruction, and assessment. The assessments that are given as examples stem from a long-term collaboration between the Center for Research on Evaluation,…