Like many school systems in economically stressed parts of the country, the Everett, Mass., school district had cut back on arts instruction over the years, to the point where most students were getting only a single art class per week. But since 2013, and thanks to a grant from the U.S. Department of Education, Everett has designed and…

This document provides Q&A with webinar presenter, Susan Riley. Riley's presentation looks at broad ideas of clarifying best practices in using arts integration (AI) and/or STEAM at any grade level. Questions cover topics such as: the creativity crisis in US schools, integrating art into math adult education (GED and ESL), theater arts in the…

The following dramatized classroom scenario depicts a teacher struggling with the nature of an inclusive learning environment, with instructional leadership and supervision of instruction as the theoretical and practical backdrop. The purpose of this article is to demonstrate how the use of a TAR (theatre as representation) case study can be used…

The challenges and joys of presenting high school and middle school musicals are myriad--and, due to the many variables involved, often unlike those of choral concerts, band concerts, or just about anything else that one may encounter as a teacher. With so many moving parts, it is easy to feel overwhelmed, especially if one is new to the game. In…

This article examines relationships among process, product, and playmaking in a southeastern playwriting and performance program for teen girls, Playmaking for Girls (PFG). The authors have chosen to focus on tensions between process and product. Such tensions are present in the challenges teachers experience when privileging student-centered…

In this article, the author describes a collaboration between The Actors' Fund of America and 12 schools in the South Bronx. The true purpose of the STARRR (Substitute Teachers for the Arts and 3Rs) program was to establish relationships between artists and schools. Three years later, the author sees the results of those relationships: so many…

Describes a yearlong project at 12 Catholic middle schools in the Diocese of Arlington, Virginia, to incorporate the plays of William Shakespeare into the curriculum. Teachers attended university lectures and directed students in performances of the plays. Concludes that Shakespeare can be understood and enjoyed by middle school students. (BCY)

Relates how a professor, for a Theater in Education project in British Columbia, produced and directed "No More Secrets," focusing on preventing child sexual abuse. States that grades five through eight were targeted to transfer learning about sexual abuse, and to tap the emotional experiences of the child to encourage disclosure. (PA)

Describes the creation of a theater-based program for eighth-grade students in the Charlotte-Mecklenburg (Georgia) Schools. Chronicles the efforts of playwright Ed Shockley to write a play focusing on teen violence and aimed at eighth-grade students. Concludes that the program and the play succeeded in accomplishing their goals. Relates three…

Details the history and process of a musical theater activity aimed at satisfying multiple intelligences and diverse talents at many levels of a middle school. Specifically describes: (1) how the project started; (2) performing two classics; (3) performance of Broadway Junior musicals; (4) continued support and enthusiasm; and (5) continued staff…

Describes the processes of thinking, learning, appreciation, and improvement of higher level thinking skills developed through the exploration and adaptation of Shakespeare's works at the middle school level. Offers suggestions for specific techniques, including character creation, casting, music, and rehearsals. (JPB)

Addresses the second volume of "Get America Singing...Again." Focuses on using songs from the theater to teach students in the music classroom. Provides a discussion of songs in various categories, such as family, regionalism, and recreational activities. (CMK)

Describes the efforts of a teacher to create an after-school drama program where none existed before in a blue-collar area of Pennsylvania. Explains how an original production, "Voices from Middle School," was developed and performed through combining her after-school volunteer drama classes with an in-school poetry class. (PA)

Describes a three-week summer theater program for middle and high school students. Discusses the reconstructing of Shakespeare's play "Hamlet" by students in the class from prior viewings of movie versions of the play and from students' past experiences with the play. Includes the play script as rewritten by the students. (CR)

Describes how use of panorama theater to teach middle school social studies can aid in teaching the academic skills of defining a problem, locating and collecting data, organizing and designing tasks, drawing inferences, creating and building interpretations, revising and editing, and interpreting data. Presents a classroom example of a panorama…