I examine the ways in which reading in the classroom is a social practice and how that social practice can produce nuanced student texts that reflect a rich understanding of what has been read. In doing so, I also consider how the reading environment allows us to manipulate and embody texts in ways that allow for a more detailed understanding than…

Students in an eighth-grade, urban, low-achieving reading class were introduced to critical literacy through engagement in Image Theatre. Developed by liberatory dramatist Augusto Boal, Image Theatre gives participants the opportunity to examine texts in the triple role of interpreter, artist, and sculptor (i.e., image creator). The researchers…

Explains how a teacher uses a mystery novel and an aesthetic approach to literature appreciation, as opposed to one concerned with facts in the text, to engage students and prep them for writing their own mystery stories. Shows how one student in particular overcame her sense of exclusion and felt a part of the "literacy club." (TB)

A former eighth grade reading and writing teacher considers how her experience in a classroom workshop for readers and writers has affected her behavior with her young daughter. Emphasizes providing children with adequate time to read, choice of what to read, and opportunities to respond. (RAE)