This essay considers the relative merits of critical writing and writing in role as a means of enabling and assessing students' responses to literary texts. Drawing largely on the author's experience of teaching "Frankenstein," it argues that the distinction between critical and creative writing is not as absolute as is sometimes…

This article, based on Andrea Walsh's teaching experience at the Massachusetts Institute of Technology (MIT), focuses on a strategy to inspire students to approach the revision process proactively with imagination and critical insight: envisioning essays as documentary films. It first looks at some central tasks of revision and then explores the…

"The Moral Imagination," edited by Oliver F. Williams is a collection of essays written nearly twenty years ago on how honors educators might teach students to develop a sense of moral imagination through literature, art, and film. The book's subtitle--"How Literature and Films Can Stimulate Ethical Reflection in the Business…

This article is an introduction to two other articles in this issue, Catherine Maxwell's "Teaching 19th-century aesthetic prose" and Kirsteen Anderson's "The whole learner: the role of imagination in developing disciplinary learning". It highlights the significance of the courses described in Maxwell's and Anderson's accounts…