Student enjoyment is important when creating any unit, but teachers should also consider if an activity will enhance learning. In addition to being enjoyable, drama-based activities enrich learning by disrupting passivity, encouraging participation, and enhancing comprehension. This article showcases ways to include these activities in a unit…

After watching his fifth-grade son perform in "The Taming of the Shrew," Ben Lathrop realized that having learned the play through performance, his son found the experience enjoyable. Moreover, his acting decisions (movements, gestures, vocal inflections) demonstrated that he had at least some understanding of his lines, suggesting that…

In this article, classroom researcher Harrison Campbell recounts his research into the literacy experiences of eight junior high (grades 8 and 9) students over the course of a school semester in Western Canada. Using phenomenological inquiry, Campbell invited students into a process of making meaning through experience. These experiences, brought…

In this article Deidre Faughey shares an experimental classroom project that she developed with a diverse group of students in three ninth-grade English Language Arts (ELA) classes. Podcasts provide a unique opportunity for students to embrace experimentation and to take risks with their own voices, explore the school building and community, and…

In this essay, veteran high school teacher Cherish R. Skinker recounts how she connected with hard-to-reach, struggling students in her 9th grade English classes. In a supportive classroom environment, Skinker's students explored the year-long theme of "a hero's journey" through texts like "The Odyssey" and "Romeo and…

Performance-based activities and creative projects with technology that focus on Shakespeare's language are powerful developmental tools for students to express and extend thoughts and feelings from their lives. Shakespeare becomes a toy chest and a toolset that allows students to live in situations they never could and to express language they…

Presents the author's experiences as a kind of case study of what it looks and sounds like when "doing" Shakespeare is in the foreground of instruction and "play" is the thing that makes that happen. Discusses guidelines and suggestions for putting a play together. (SG)

Notes that New York University's Steinhardt School of Education offers a program in educational theater with noted practitioners in the field. Provides a narrative description of one process drama session conducted by Warwick Dobson with a group of ninth graders. Explains that this session focused on the novel "The Breadwinner," which is set in…

Throughout seven years of teaching in urban schools, the author discovered that the most effective ways to teach difficult literary texts was to refer to students' out-of-school activities. In other words, to connect the "leaky edges of the "social outside"" with the "individual inside" is to create a curriculum of…

During discussions about planning, Tim Kemp and Charlotte Bickmore recently concluded that despite the name they give to their major Year 8 unit (The Making of the United Kingdom), they tend mainly to focus on England, and even more especially, on London. They have a good point. Ask an average Year 8 student to describe Britain in, say, 1700, and…