Teacher-researcher, Katherine Macro spent six weeks observing an eleventh-grade Advanced Placement and Composition class at Sunnybrooke Central High School to examine the teacher's use of creative drama to teach Shakespeare. In this article, Macro describes ways the instructor used theater-based instructional strategies, especially a staged…

For the last several years, teacher-researchers Jessica Jasper, Laura Dvorak, Steven Athanases, and Sergio Sanchez have partnered with a program called Globe Education, Shakespeare's Globe London. Practitioners in the program use teaching practices that engage learners with Shakespeare's works and other complex texts through drama practices. Jess…

In this paper, I reflect on a series of lectures, underpinned by the principles of critical pedagogy, when engaging with Shakespeare's "The Tempest." Working with student teachers in a South African School of Education, I used a talk-back design to enable students to talk back to the canon and open the dialogue about resistance. I used…

Most students meet Shakespeare in middle or high school, on a page in a book in an English classroom. This first encounter is a disservice to the students themselves and to Shakespeare: Shakespeare's plays are works of both literature and theatre, and should be taught as such. A performance-based teaching approach not only provides high school…

This interview and response explores the functionalities of the digital platforms Digital Theatre+ (DT+), Drama Online and Cambridge University Press as represented by the interviewees, with a focus on Robert Delamere's DT+. Delamere discusses the history of DT+, and his vision for it to become a site where students can create 'remixes' of DT+…

This article provides guidelines for student investigation that address teaching and learning objectives for both the social studies and language arts. Building on historical inquiry methods, the authors advocate for Discipline-Based Art Education (DBAE) as a vehicle for this learning. Because the curricula in secondary English/language arts and…

Reflecting on a day of dangerous bushfire conditions in NSW, I recount my leadership responsibilities as a principal, highlighting the shaping force of my English teaching past in my response to certain managerial demands that I faced. I illustrate how the sense of ethical responsibility and a commitment to openness that came to define my…

The play within a play has long been understood as Hamlet's attempt to catch the conscience of the King. But is that all it is? Perhaps there's more to the "Murder of Gonzago" than either Hamlet or even Shakespeare, himself, intended? While the narrative of the Player King and Player Queen clearly works to tap into the private guilt of…

Although performance-based pedagogy has clearly given new life to the study of Shakespeare, with 'performance' or 'active' approaches becoming increasingly dominant as a method, acquiring the status of "the" 'proper' way to teach Shakespeare, it is important to examine the limitations of this method. This article will begin by surveying…

This essay is about teaching Shakespeare, based on my experience of exploring "King Lear" with a Year 7 class. The evidence I use is drawn from one lesson, in which I offered students the opportunity to reject Shakespeare's version of the story. In this, I hope to demonstrate that the act of offering students a choice is a simple but…

Reverend Father Professor Amechi Nicholas Akwanya is one of the towering scholars of literature in Nigeria and elsewhere in the world. For decades, and still counting, Fr. Prof. Akwanya has worked arduously, professing literature by way of teaching, researching, and writing in the Department of English and Literary Studies of the University of…

This article explores the effects of neoliberalism and performative educational cultures on secondary school drama classrooms. We consider the ways Deleuze and Guattari's schizoanalysis and Butler's concept of gender performance enable us to chart the embodied, relational, spatial and affective energies that inhabit the often neoliberal and…

This article describes a connected learning project in which preservice teachers practice technology integration with the teaching of Shakespeare. Digitised Shakespeare pedagogy is often overlooked as a vital component for developing teachers who explore individual passions by constructing interactive spaces where personal interests and digital…

In this article, we offer an account of a two-day workshop conducted with a group of postgraduate English and Drama student teachers, part of a larger AHRC-funded research project. Our focus is on reading and the reception of a canonical text, in this case Beowulf. We argue that taking a transmedia approach helps learners to think about the…

This article explores the way gender resonates in Shakespeare's "Julius Caesar" through an active study of live performance. Combining pedagogy with performance as an interpretive methodology, this research focuses upon using my unique classroom situation, teaching ultra-Orthodox Jewish adolescent females, as a platform for analysis.…