This paper focuses on the play, "Pictures of That Summer ('Ano natsu no e')," which is inspired by the "Paintings of the Atomic Bomb" project in Hiroshima. Through an analysis of its dramatization, the paper develops a theoretical framework for investigating the generation of the collective memory of catastrophes through works…

This article is an artful narrative of my transformative experiences as a teacher educator of the Peace Education program, Oleander Initiative 2018 in Hiroshima. Hiroshima is where endless stories are told and retold by many "Hibakushas, the atomic-bomb survivors" in an effort to give meaning to this tragic experience. They both refigure…

The dropping of atomic bombs on Hiroshima and Nagasaki in World War II inaugurated a new era in world history, the atomic age. After the war, the Soviet Union, eager to develop the same military capabilities as those demonstrated by the United States, soon rivaled the U.S. as an atomic and nuclear superpower. Faced by the possibility of…

Argues that social change can be evidenced in the absence of an image. Discusses how murals painted by children 50 years after the bombing of Hiroshima and Nagasaki do not depict "the bomb," but it pervades the murals nonetheless. Shows that viewers draw unintended analogies between the images and the bombings. (DSK)

This paper originates from the perspective that school textbooks are crucial organs in the process of constructing legitimated ideologies and beliefs and are a reflection of the values considered important by powerful groups in society. This claim is explored through investigating the manner in which a selection of history textbooks in use in US…

Maintains that most history textbooks support the traditional view that dropping the atom bomb on Hiroshima (Japan) was necessary to end World War II and save U.S. lives. Briefly articulates the revisionist view that the bombing's main purpose was to intimidate the Soviet Union. Reviews six textbooks. (MJP)