Self-assessment is crucial to visual art learning. Firstly, because the art experience is personalized, any external assessment is insufficient and deficient; secondly, because an individual's creativity is inexhaustible, any acquired criteria of assessment are too static for an open-ended process that is multidirectional and with infinite…

There is a shift occurring in the field of art education to empower students and teachers to design personalized, classroom-based assessments to support rich, complex, and unpredictable processes of learning in K-12 art (Beattie, 1997, 2006; Hafeli, 2001; Gates, 2017). In this paper, the author presents three recommendations for gathering…

As states are continuing to refine teacher evaluation models, there are opportunities for student learning in the arts to be documented and connected with teacher evaluation. The Tennessee Portfolio of Student Growth in the Arts ("the Portfolio") has provided a new perspective on documenting the relationship between student growth and…

This paper provides a brief literature review related to art teacher candidate dispositions and offers an assessment model that engages candidates in collecting and analyzing evidence of their professional dispositions. Engaging teacher candidates in "assessment as learning" simultaneously serves as one model for assessing studio habits…

Art teachers may find student assessment stressful when they fear that the rigid criteria might stifle creativity (Gruber & Hobbs, 2002), while others will see assessment as a valuable tool that sparks possibilities for future projects (Schönau, 2012). In September 2016, the author decided to focus for an entire year on developing new…

The 1994 National Standards for Arts Education were succeeded by a new generation of standards published in 2014 by the National Coalition for Core Arts Standards (NCCAS). This iteration of voluntary standards provided a new foundation for designing curriculum for visual arts education. The design of the standards utilized the curriculum model…

The teaching performance expectations and assignments that preservice art teachers currently address in field experiences and in their coursework are designed to help them meet the expectations of being a quality art educator in the 21st century. These assignments may be very different from the assignments that art educators had in their…

Teacher education programs in 40 states require teacher candidates working toward visual art certification to take edTPA, a high-stakes summative performance assessment developed by Stanford Center for Assessment, Learning and Equity (SCALE) and distributed by Pearson's Evaluations Systems (Pearson Education, 2018). Since its implementation in…

The mission of the North Carolina Arts Council is to enrich cultural life and to nurture and support excellence in the arts. The professional staff provides services to artists, art organizations, and supporters of the arts. The council offers grant assistance for specific activities by funding programs designed to support particular groups of…

Maintains that the development of discipline-based art education (DBAE) was based in large part on the earlier work of Harry S. Broudy. Explains Broudy's view that aesthetics education once reserved for the elite should be part of the education of every citizen. Describes links between Broudy's work and lessons developed as part of DBAE. (CFR)

Describes the work of Harry S. Broudy and his impact on public education in the United States. Maintains that Broudy believed that universal values can be grounded in human nature. Presents Broudy's view that students in secondary grades should study the arts and humanities to acquire the values necessary for participatory citizenship. (CFR)

This document profiles 11 examples of arts and education institutions across the country that are working to solve community problems. Programs, which reflect a number of purposes, are organized by category. Large Urban Profiles, include: (1) "Bridgemaking" in Chicago: Chicago Arts Partnership in Education; (2) Learning by Working: Young Artists…

Cited as a model project for the state of Vermont, this process model helps administrators, teachers, and community members integrate the arts into the elementary school curriculum. Arranged into 10 sections, the introduction in part 1 outlines the development of the program. Three major project goals are stated in section 2 and section 3 is an…

This anthology looks at arts partnerships which integrate community arts and cultural resources with schools. It also explores the structural, operational, and philosophical adaptations which take place within arts organizations and schools when they become engaged in the process of developing a healthy, responsive relationship. Finally, it…

The Kentucky Education Reform Act of 1990, which champions arts education as an integral component of a holistic curriculum and assessment process, encourages schools to make use of resources from the community, including arts and cultural organizations, artists, folklorists, and craftspeople. This broadened approach to education provides…