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Showing 1 to 15 of 90 results Save | Export
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Boydell, Katherine – LEARNing Landscapes, 2019
In this commentary, educator and author Katherine Boydell reflects on her journey to incorporate art genres in the research process as a knowledge translation strategy for producing and disseminating research-informed knowledge. She highlights the need to move beyond descriptions of form and content to grapple with the unique methodological,…
Descriptors: Art, Research, Student Research, Information Dissemination
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Killian, Jeremy – Journal of Aesthetic Education, 2012
In "The Renaissance Rediscovery of Linear Perspective," one of Samuel Edgerton's claims is that Filippo Brunelleschi and his contemporaries did not develop a three-dimensional style of representing the world in painting as much as they reappropriated a way to depict the natural world in painting that most mirrored the human perception of it.…
Descriptors: Visual Arts, Visual Perception, Painting (Visual Arts), Tragedy
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Wertz, S. K. – Journal of Aesthetic Education, 2010
Both John Dewey and Martin Heidegger thought that art's audience had to take a detour in order to appreciate or understand a work of art. They wrote about this around the same time (mid-1930s) and independently of one another, so this similar circumstance in the history of aesthetics is unusual since they come from very different philosophical…
Descriptors: Art Appreciation, Aesthetics, Theories, Perception
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Arriaga, Belinda Hernandez – Journal of the Association of Mexican American Educators, 2012
This essay documents the work of 67 Suenos, a youth-led collective based in Oakland, California. The group is committed to bringing to light the stories of the 67 percent of undocumented youth and young adults who would not qualify for the DREAM Act and who are in many ways left out of the dominant narrative around immigration reform. The author…
Descriptors: Youth Programs, Story Telling, Video Technology, Art Products
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Elliott, Ron – Australian Universities' Review, 2011
The need to articulate and validate creative practice has been made more urgent by the inclusion of the creative arts in the Excellence in Research for Australia (ERA) process. The proof of research quality is tied to government funding and universities have strategically sought to increase their share of funding by targeting their own research…
Descriptors: Research, Foreign Countries, College Faculty, Art
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Smith, Cheryl Hogue – Teaching English in the Two-Year College, 2011
Intertextuality is a vital component of college reading and writing. In order to write a paper that requires the synthesizing of readings, students must recognize the intertextual connections among all their sources. Instruction that fosters intertextual awareness in basic writers can help them overcome their tendency to compartmentalize what they…
Descriptors: College Students, Writing (Composition), Teaching Methods, Writing Instruction
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Weh, Michael – Journal of Aesthetic Education, 2010
It is a mainstream view within the ontology of art that there are singular as well as multiple artworks, but it is also a view that is contested. In this article, the author investigates whether the singular/multiple distinction can be sustained and argues for a new way to determine the category to which an artwork belongs. The author stresses…
Descriptors: Art, Classification, Art Products, Production Techniques
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Auger, Emily E. – Journal of Aesthetic Education, 2009
The methods by which environmental issues are aestheticized in late-twentieth-century film is directly and historically related to those established for grand manner painters by Nicholas Poussin (1594-1665) and taught at the French academy from the seventeenth through the nineteenth centuries. That these fundamentals were part of the training of…
Descriptors: Physical Environment, Aesthetics, Films, Painting (Visual Arts)
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Turner, Matthew – Journal of Aesthetic Education, 2009
Recent theories of the aesthetic appreciation of nature or natural environments have done much to clarify what might be essential to such appreciation. Such accounts are incomplete, however, as they depend on a strict separation between works of art and nature itself. This paper shows how classical Chinese landscape painting offers a way to…
Descriptors: Painting (Visual Arts), Foreign Countries, Physical Environment, Aesthetics
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Halsall, Francis – Journal of Aesthetic Education, 2008
The "all-over" abstract canvases that Jackson Pollock produced between 1943 and 1951 present a pedagogical challenge in how to account for their apparently chaotic structure. One reason that they are difficult to teach about is that they have proved notoriously difficult for art historians to come to terms with. This is undoubtedly a consequence…
Descriptors: Art History, Artists, Art Expression, Painting (Visual Arts)
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Moore, Kevin Z. – Journal of Aesthetic Education, 2007
Cephalopods have a visual language that may be considered artful; they flash color-forms on their hides to communicate intents and emotions. Formalist inspired artists and their critic-expositors describe abstract pattern-painting as though it were a visual language equal to that of the cephalopod. In this article, the author argues that although…
Descriptors: Art Education, Zoology, Nonverbal Communication, Color
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Taylor, Lisa K.; Zine, Jasmin; Davis, Hilary E. – Intercultural Education, 2007
This article presents an interview with Jamelie Hassan. Jamelie Hassan is a visual artist and activist based in London, Ontario, Canada. Since the 1970s she has exhibited widely in Canada and internationally. In 1993 she was presented the "Canada 125 Medal" in recognition of her outstanding service to the community, and in 2001 she…
Descriptors: Profiles, Interviews, Activism, Foreign Countries
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Joehl, Regan R. – Journal of Natural Resources and Life Sciences Education, 2008
Grant Wood's "American Gothic," intended to represent the Depression Era, Midwestern farmer, has been regarded by many as the stereotypical representation of a true American farmer for decades. While this painting does represent farmers in the early part of the 20th century, the author feels obliged to say that it is time to drop this…
Descriptors: Painting (Visual Arts), Negative Attitudes, Agricultural Occupations, Career Choice
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McComb, Camilla – Art Education, 2006
As a young art teacher, this author was inspired by the advice of Faith Ringgold, who emphasized the importance of creating time during each day to create art. This advice led the author to develop a painting discipline by creating "The 40/40 Challenge" for her students in Painting I and Painting II classes. The 40/40 Challenge is a voluntary…
Descriptors: Painting (Visual Arts), Studio Art, Teaching Methods
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Chung, Sheng Kuan – Art Education, 2006
The importance of multicultural art education has been addressed by art educators over the past 15 years. Art educators maintain that art is capable of empowering mutual respect and appreciation for people, objects, and ideas among diverse groups. Although many educators/teachers use non-Western artworks or artifacts to enrich their art programs,…
Descriptors: Asian Culture, Religious Factors, Art Education, Aesthetics
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