One way to build a comprehensive, inclusive, and equitable music education is through the inclusion of popular music in curricula. However, it can be challenging for teachers to bring popular music into the classroom for many reasons. We suggest that since many teachers are educated in the Orff Schulwerk approach, this can be one way to teach…

This article is part of an ongoing series by the authors and the Deep Play Research Group, which focuses on the intersection of creativity and technology in education. In this article, Dr. Anthony Brandt, professor of composition and theory at Rice University shares his thoughts about the study of creativity. He uses his experiences as a musician…

The praxial philosophy of music education in "Music Matters" (2015) argues that music educators should teach democratically, creatively, and ethically toward empowering students' abilities to achieve full human flourishing through critically reflective music making and listening of all kinds. Moreover, "Music Matters" contends…

In 1989, Bennett Reimer wrote that there are three ways through which people can experience music: performing, listening, and composing. Similarly, in the current National Standards document, MENC [now the National Association for Music Education (NAfME)] identifies performing, creating, and responding to music as the "fundamental music…

If music education is going to meet its full potential in the twenty-first century, then people may need to rethink their assumptions about the central values of school music. The author fully supports all effective, educative, and ethical ways of teaching and learning music, as well as students' critically reflective and democratic engagement…

A conversation between the Director of the University of Manchester's Science & Engineering Education Research and Innovation Hub and the Education Director of England's Halle Orchestra explores the relationship unfolding between science and music. The interview focuses on synergies between music and science and how the two subjects can…

In this article, the author shares his experience with Burent Arel, an established composer of orchestral, chamber, and classical electronic music. At first, the author found the music of the 20th century deeply disturbing. Yet, Professor Arel converted him and his skepticism into evangelical fervor. Finally understanding the role of the artist in…

There is a long history of debate over what opera is. Since it's more or less formal beginning in the sixteenth century as a reconstruction of ancient drama, opera as an art form has been controversial. The received understanding--emphasized by the genre's founders and in periodic efforts at reforming the standards of composition and…

In this article, the author shares the views of John Williams, Hollywood's premier composer, who has written more than 300 scores, about the future of classical and film music. A gregarious person in a field requiring monklike isolation, Williams values the "association with the soloists, and the wonderful inspiration from players." His…

Creativity involves generating novel concepts and products that are valued by the creator as well as by the public. In this paper, we argue that risk-taking in songwriting increases the likelihood of any individual's product being valued as creative. By reviewing the case histories of several successful songwriters, we show that heightened…

The author states that among the various approaches to music education, her dialectical and epistemological view offers a way of thinking about music and education and deciding how to go forward in teaching and learning music. In this article, she shows how this particular philosophical perspective can play out in teaching for the development of…

An innovative ICT project called "Compose" has been implemented in some New Zealand primary schools in an effort to counteract the lack of classroom composition opportunities. "Compose" combines the use of music software and online learning with attempts to address barriers to primary classroom composition. This article…

This article is abstracted from the author's forthcoming book, "Debussy: The Crisis of Tonality," wherein Claude Debussy's influence on the mainstream composers of the first half of the twentieth century is discussed. (KC)

To what degree can computers be programed to create original, aesthetic musical compositions? Three examples of computer-generated melody illustrate that computers are by no means close to producing advanced musical works which call for aesthetic and intuitive decision making. (Author/KC)

In recognition of Rudolf Friml's centenary (1879-1979), his career as a composer of operettas, musical comedies, and musical satires and as a concert pianist is reviewed. (KC)