One way to build a comprehensive, inclusive, and equitable music education is through the inclusion of popular music in curricula. However, it can be challenging for teachers to bring popular music into the classroom for many reasons. We suggest that since many teachers are educated in the Orff Schulwerk approach, this can be one way to teach…

There is no doubt that mediation has become a central issue outside formal music education. An outstanding example of this is digital music and its dependence on the new technologies of production, dissemination, and consuming. In this paper, the author argues that (1) mediation is one of the most important aspects of digital artistry and that (2)…

Figurative (visual representation) and commentator (verbal representation) functions and their use in audiovisual media are discussed. Three categories each of visual and aural media are established: real images, artificial forms, and graphic signs; and sound effects, music, and the spoken language. (RAO)

Students can explain and read if they understand the plot and base of the story. Musical devices have a vital effect in learning lyric poems. The ways in which musical devices affect literature are stated.

Discusses the pros and cons of phonics for spelling. (MP)

Discusses issues related to orality, aurality, and literacy in the teaching and understanding of mathematics. Also discusses ritual and tradition in mathematics instruction. (MM)

The chapter defines speech perception, raises such questions as the nature of acoustical correlates of linguistic units, reviews available information on the auditory capabilities of hearing impaired listeners (such as detection of the time/intensity envelope and temporal resolution), and addresses the relationship between auditory skills and…

Music in America has an elitist history. While music colleges stress the development of performers, there is no comparable education for the audience which must support them. Music appreciation should emphasize aural memory, so that audiences can understand the basic materials which lead to musical coherence. (CS)

This paper is a report on a decade of teaching visual literacy at the American University (Washington, D.C.). Visual literacy is defined as an awareness that comes with appropriate development of basic visual and aural competencies. The 15 reasons for studying visual literacy are perception, drawing, expression, brain awareness, design elements,…

Varied exercises are offered for teachers to use in sharpening students' listening skills. (DG)

Criticizes the standard tests for listening comprehension because the material heard is often of poor quality and only about 20 percent of the questions actually test listening skills. Describes a self-made listening comprehension on Ibsen's "A Doll's House." (SRT)

Looks at the findings from studies in educational broadcasting and communication research for data on the effectiveness of video in second language acquisition and foreign language teaching. This study identifies findings which have a bearing on the comprehensibility of video and the relationship between aural and visual channels. (Author/SED)

Describes the four types of learning modalities (kinesthetic, tactual, auditory, and visual) and provides suggestions for adapting teaching styles. (SK)

Discussion of instructional materials design highlights perceptional modality preferences. Research on perception is reviewed; preferences for audio versus video, verbal versus pictorial, and listening versus reading are described; learning styles are considered; and theoretical and practical implications for audiovisual designers are suggested.…

Scholars and consultants have offered a multitude of definitions of listening. One group defines listening as an ongoing, nonstatic process by which spoken language is converted into meanings in the mind. The other group, the sequentialists, view listening as a linear sequence of events in which one aspect is dependent upon a preceding aspect.…