Born in Cumberland, Maryland, Nancy Sansom Reynolds earned her Master of Fine Arts degree from George Washington University in Washington, DC in 1982. Reynolds' reputation as a sculptor has steadily grown over the years, and today her artwork is included in many private and public collections and has been displayed in the United States, Asia,…

In this technological age, where mind and body are increasingly disconnected in the classroom, object-based learning--along with strong museum-school partnerships--provide many benefits for student learning. In this article, the author first outlines some of the special mind-body connections that object-based learning in museums affords learners…

It is suggested that sandstone makes a good inexpensive medium for sand sculpture. It is available at foundries, or it can be made out of sand. Two formulas for making sandstone are included. (KC)

Art students must know and understand the media with which they are working. Techniques used to help junior high school students gain mastery of art materials are discussed. With control of the materials anything is possible, including creativity. (RM)

Sculpture is the revelation of our withness with things: our being-in-the-world. Because this is so, sculpture has a special and healing role in our times. (Author)

Interviews David and Cecelia Diaz about David's work as an award-winning illustrator of children's books, their successful illustration/design business, and David's other artistic pursuits. Discusses his illustrating process and its evolution, and the impact of the Caldecott Award. (SR)

Described is a demonstration to illustrate the storytelling qualities of "clayscapes" and to suggest just one of the innumerable sculptured environments that are possible with clay. Clayscapes are sculptures which are minilandscapes made of clay. (KC)

Presents an interview with Jeff Rouse, a dentist and sculptor, in which he shares his history, his artistic development, the evolution of his work, and an overview of the process of creating bronze sculptures. Includes directions for sculpting a mouth and creating a bronze sculpture. (CMK)

Art teachers should know about the chemical contents of art materials and understand how chemicals enter the body, what happens as a result, and what can be done to reduce chemical hazards. Three ways in which foreign substances enter the body, i.e., absorption, inhalation, and ingestion, are discussed. (RM)

What images should we study? Which have value? Which are significant? These questions lie at the heart of one of the most critical issues in art education today in the debate over whether the field should maintain a narrow focus on fine art or expand its scope to include all of visual culture. In this article, I argue for the inclusion of…

This paper discusses how to teach art history in college level interdisciplinary courses. Today, art historians find themselves involved in teaching art history not only in art history curricula, but also in interdisciplinary studies, such as Ancient Greek Culture, Renaissance in France, and Women in Art. When teaching art history in…

Discusses the use of the chalkboard as a surface for creating art and enabling young students to express their creativity. Explores different ways that art teachers can use chalkboards, such as for taking attendance, for use during a child's time-out, or a place to rehearse an artwork. (CMK)

Discusses children's use of crayons, markers, and other art materials at various developmental stages. Suggests art activities and guidelines for teachers for each developmental stage. (BB)

Maintains that children's art has value in its own right in that it can help children satisfy their need to create and express themselves by playing and experimenting with art materials. (BB)