Offers arguments for and against making the essay central to the English and writing curriculum. Argues for the inclusion of the essay and discusses personal experiences and feelings regarding essay writing. (PRA)

The process approach to writing requires feedback. Peer feedback (which can be encouraged and taught) and teacher feedback are complementary; they should discuss both form and content of students' written work. Spoken teacher feedback on tape and student-teacher conferences (whether individual or group) augment the teacher's usual feedback…

Examines the functions of outlining for 122 students in 4 undergraduate classes, each in a different discipline. Finds that outlining functions varied widely according to the assignment and the teacher's guidance. Identifies five functions of outlining. Suggests the benefits of examining a specific writing strategy rather than concentrating only…

Presents an interview with Norma Fox Mazer, a writer of children's books. Describes how she creates a story. Discusses how writing a story, whether a short story or a novel, is an intricate balance of character, event, and voice. (SG)

Perhaps writing is equated with process. But, there are too many complicating factors that make it difficult to evaluate the success or failure of prewriting and drafting assignments--the process and the value of each step is different for each individual. By teaching students to recognize the cultural contingencies of textuality, the status of…

Studying the life of Langston Hughes in the context of how to teach freshman composition can shed light on two sometimes conflicting pedagogies, the expressivist and the social-constructionist. A discouraging period of fierce criticism, illness, depression, and financial woes coincided with Hughes' 39th birthday, which his biographer Arnold…

A feminist composition classroom concentrates on undermining the Platonic view of invention as the private act of an atomistic individual and replacing it with inventional strategies that heighten students' awareness of the social, political, and economic factors which make writing and reading a gendered activity. These alternate strategies allow…

Writing teachers need to recognize the special circumstances of culturally displaced students. A specific category of such students are those from the Asian subcontinent, who are not exactly non-native speakers of English, but who do speak non-standard American English. These students occupy a subaltern (marginal) position: they can neither be…

Students work most productively when they feel free to move back and forth from ignoring audience to addressing it. Students should consider audience as they begin a writing task. Then they should get away from it all and simply write. If they find an audience inhibiting, they should feel free to ignore the idea of audience altogether or alter…

A creative writing class explored the feminine creative powers evoked when searching for the Muse in an attempt to understand women as writers. Female student writers occasionally found "masculine" figures, but predominantly experienced a figure of the Muse that had a distinctly Goddess-linked quality or was not genderized at all.…

In order to explore new ways of talking to and with composition students, an instructor might ask whether visual artists can teach college writing instructors about the composing process and, whether, by stepping outside the discipline, insights can be gained for more effective teaching of first-year writing students. For one instructor,…

Students, either male or female, can be silenced by the adversarial discourse that often characterizes argumentative situations. Alternatives proposed by feminist rhetoricians should apply to any voice silenced in the classroom. Rhetoricians concerned with empowering writers of argument have illustrated three alternatives that enable writers to…

Explores (from the point of view of the writer, a children's author) one aspect of learning about language that is present in the picture books he writes: the relation between sound and sense. (SR)

Argues that news-writing instruction that relies on explicit rules is inadequate because: (1) rule violations are common; (2) some rules work well only in particular situations; and (3) some rules overgeneralize. Identifies the difficulty of teaching students to develop a "good ear" for writing. Concludes that instruction must balance…

Considers Richard Ohmann's argument that composition texts which instruct students to emphasize concrete details over abstract concepts encourage conformity with the dominant order. Suggests that Ohmann failed to consider the effects of teachers' and students' viewpoints. Cites methods that encourage students to use detail as a device of broader…