In this article, the authors respond to Jerzy Trzebinski's "Narratives and understanding other people." The first author's viewpoint comes from his work as a doctor, a psychiatrist, and a social psychiatrist preoccupied with rehabilitation and recovery for people with severe mental illness. According to him, Trzebinski's work raised important…

Exploring issues of content and construct validity, this paper reviews how empathy in young children has been defined and measured. Discussion first focuses on empathy viewed as an affective awareness and response to the feelings of another person. The review reports research using the Affective Situation Test, naturalistic studies of affective…

Elements of a theory relating cognition and affect are outlined. The theory is heavily based upon neuroscience research regarding the hemispheric lateralization of various cognitive processes and emotions; specific examples are provided. Developmental research on intelligence as well as theories of intrinsic motivation, are also discussed.…

Asserts that cognitive therapies are concerned with human affective experience, but not limited to conscious, rational, affectively-neutral concerns or difficulties. Cites examples of healthy programs of research and theoretical development in cognitive psychology. These therapies hold promise for integrating theoretical and empirical work in…

Discusses the role of affect in cognitive processes. Concludes that to study the affective as well as cognitive components of composing is to acknowledge their true interrelatedness. (MS)

Notes the proliferation of various pupil profiling schemes as a means of providing additional information about students' knowledge, skills, and personality. Examines the assumptions underlying their use, focusing on the affective curriculum as the impetus for their development. (JDH)

Metaphor is an essential process and product of thought. Works of art, being developed products of thought, can be metaphors for felt dimensions of experience in its broadest sense. The metaphoric process can be used to interpret art works and art periods. (RM)

Teaching with imagery can help students focus on lessons, retain information, improve psychomotor skills, and accept themselves and others. (Author)

The model of phenomenological balance attempts to explain the aesthetic response by accepting all the major philosophical interpretations of the aesthetic experience as legitimate articulations of essential components one encounters when confronting a work of art. It is intended to aid teachers in planning aesthetic experiences. (Author/SJL)

Examines the importance of attitudes and attitude measurement, describing how attitudes are measured through a description of the characteristics of measurement, categories of attitude measurement, and the process of measuring attitudes. Test validity, reliability, and revision are discussed, as are the analysis and display of data. (RAO)

Asserts that teachers must consider the innate passion to discover and the desire to understand when designing science instruction. Argues that in an emotionally secure and stimulating environment, children will freely express passions to discover and understand and that educators must ensure and support every child's affective development along…

Discusses how business teachers can get students to stay in school and learn problem solving in context with teaching basic business knowledge and information processing and computer skills. (JOW)

This article examines the origins and nature of reflective teaching as espoused in current debate on teachers' professional education, considers its implications for teacher education practices, and highlights areas in need of research to clarify concepts about what reflection in learning to teach entails. (IAH)

Connects the imagination with one's affective states as related to 8- to 15-year-old students' engagement in a story or narrative. Discusses particular characteristics of narratives that engage students' imagination during these years and characteristics that are imaginatively engaging but in which the narrative component is less prominent. (BB)

Notes that our capacity to diffuse conflict rests in our ability to recognize and verbalize feelings, develop empathy, and think of alternatives to violence. Explores the influence of role models and culture on violence and how the media can use violent images effectively in helping us confront a culture of violence. (HTH)