Analysis of drawings by 26 children indicated striking contrasts in subject matter and style between girls and boys, but did not present stereotyped images of sex roles. The contrasts could not be specifically attributed to genetic, social, or psychological differences between the sexes. (MJL)

Presents an artist's point of view concerning the need for art activities and art education in the schools. (RL)

Recounts a personal experience as a first grader to illustrate the point that teachers must remember to encourage rather than stifle students' creativity. (NH)

A self-taught artist describes the creative process and a technique for developing one's intuitive drawing ability. The article identifies seven basic motifs derived from natural forms and illustrates how these motifs are used in the artist's work. (DB)

Explains how the artistic design of t-shirts with positive images, some having grown out of the study of particular literary works, do much for student attitudes, self-awareness, pride, and interest in school, especially in a "rainbow classroom." (TB)

This brief article describes one third-grade classroom's experience engaging in a lesson plan inspired by Larry Yanez's "Cocina Jaiteca" and images of the cheerful kitchen. In the lesson, the students were to draw their own kitchens based on their observations of the many details in Yanez's kitchen example, such as the calendar on the wall,…

This article offers an introductory framework for public art that supports an inquiry approach to instruction. "Public art," or for the purposes of this article, "artworks outside museum and gallery walls," is a large and complex subject that lends itself to a variety of categorical divisions. A basic category, for example, includes the various…

Argues that the aesthetics component of discipline-based art education (DBAE) needs to be re-evaluated in order for DBAE to be used at the elementary level. Suggests taking the practical approach to teaching aesthetics rather than the philosophical approach. (BR)

First-hand experiences in learning art are very important. In Hong Kong secondary art, teachers must follow the syllabus and examination schedule suggested by the Education Department. Thus, these teachers cannot undertake art projects because they are locked into the structure of the syllabus and the limits of the timetable. This paper…

In these politically charged times of early literacy initiatives, position statements, and education reform, talk about play and literacy learning seems rather awkward, if not even a bit silly. As the realities of early literacy education set in, teachers, legislators, and parents grow ever more critical of what young children are doing as…

Asserts that the copying of artworks does not stunt a child's creative development; rather it can serve children, as it did many great artists, as a useful tool for the development of the technical and aesthetic skills necessary for creative expression. (SJL)

Described is a method of tapping students' creative potential in art: the Spontaneous Response Drawing. SRD consists of drawing with a single line, usually with crayons or colored felt tip pens on a large sheet of paper. (KC)

Examines the similarities and differences between the artistry of children and adult masters. Suggests that while artists have more highly developed skills, far more control of their gifts, and superior ability to experiment systematically and to choose among alternatives, much in their processes of creation is reminiscent of children. (JMF)

Describes a systematic way of increasing empathy of children through use of a daily class dialogue period, planned use of creativity techniques and action projects. (RH)

Examines relationships between child and adult art, proposing an exploration of meanings of children's art activity by examining relationships between art-making and other activities of the same developmental period. The paper posits some basic human needs and considers how various activities might serve as instrumentalities to realize such goals.…