Argues that classroom learning requires teachers who are keenly aware of everything that poetry and art bring to human existence, as well as an environment that is stimulating and peaceful. Describes elements of successful classroom environments. Suggests methods for teaching poetry and for inspiring students to create paintings. (AJL)

National Board Certification is intended to indicate that "a teacher is judged by his or her peers as one who is accomplished, makes sound professional judgments about students' best interests, and acts effectively on those judgments." This author, the first National Board Certified Art Teacher in Georgia, offers a first-hand perspective…

The 100th anniversary of Ulysses S. Grant's death was observed on July 23, 1985. The Smithsonian National Portrait Gallery featured an exhibit of Grant portraiture, which covered his life, from its humble beginnings to military and political triumphs and to failures and disappointment. The exhibit included pictures, artifacts, and momentos from…

Rhetorical criticism focusing on Norman Rockwell's paintings of the "Four Freedoms" provides reasons for the paintings' effectiveness within the context of Franklin Roosevelt's campaign to educate Americans about participation in World War II. The epideictic icons in Rockwell's paintings promoted identifications that constitute the…

Afrofemcentrism--Afro-female-centered consciousness in the visual arts--has found its ideological and aesthetic fruition in the sculpture of Elizabeth Catlett and Faith Ringgold. They depict Black women's realities and portray Black women as primary, active, and real-typed. (BJV)

In 1899, the Committee of Ten on Drawing, organized by the National Education Association, proposed that one of the main goals of art education should be "to offer a consistent development in the faculty of sight." Art appreciation was centered on the literal translation of the painting. Importance was placed on connecting the painter's…

Ashley Bryan, known for his distinctive illustrations on African themes and written and oral presentations of African folktales, responds to questions on his background, career, design process, and oral presentations. (SD)

Reviews the author's experiences as a high school art teacher on a Navajo Nation reservation in Arizona. Describes the reservation and characteristics of Navajo culture. Discusses efforts to adapt teaching strategies to the Navajo classroom and the instructor's experiences in getting to know students through art. (AJL)

Class lessons and activities in the visual arts for handicapped students (preschool to adolescent) are presented, based on Programs in the Arts for Special Education (Project PASE). In addition, eight articles from Pennsylvania art teachers are included. The lessons and activities were developed and field-tested by Pennsylvania's Central…

Describes using a "dialogue of disciplines", a teaching method which traces a particular theme across artistic disciplines, to present Shakespeare's play "Romeo and Juliet" in a comprehensive way. Suggests that exposing students to paintings, films, stage performances, and operas creates a multidimensional experience and…

Recognition of the handicapped child's isolation from the environment is the basis for creative art therapy across handicapping conditions (physical disabilities, mental retardation, emotional disturbance, deafness, Blindness, speech impairment, cerebral palsy). Detachment may be overcome by self expression through drawings, paintings, and…

A 15-year-old Navajo artist, R. D. Lee, tells about his heritage and his painting. To this adolescent, culture means believing in and living the traditions of family. Lee hopes to be known as Navajo to Navajos but still accepted as a person out in the world. (SLD)

Describes the emotional link to the text that an author and an illustrator must create for the reader. Traces the development of that link while the author illustrated "Very Last First Time," by Jan Andrews, a rite-of-passage tale about a young Inuit girl. (RAE)

Uses the five stages of creativity designed by psychologist Jacob Getzel--first insight, saturation, incubation, illumination, and verification--to describe a mural project in a rural community college. Reports that the project successfully paired students with community members to paint two local murals. (NB)

Presents an interview with Dr. William R. Detmers, an exhibiting artist and teacher for over 30 years. Dr. Detmers discusses the changing conceptions of both the forms and purposes of art, his own artworks, and the symbiotic relationship between exhibiting and teaching. (MJP)