Argues that classroom learning requires teachers who are keenly aware of everything that poetry and art bring to human existence, as well as an environment that is stimulating and peaceful. Describes elements of successful classroom environments. Suggests methods for teaching poetry and for inspiring students to create paintings. (AJL)

Asserts that music teachers should help their students understand the value of music by acting as a role model. Explains that in order to become a role model, teachers should actively pursue musical involvement in their daily lives. Provides five questions to guide reflection about teachers' musical lives. (CMK)

Japanese children get 10 years of mandatory music studies, resulting in a population which can read music and appreciate it. History, theory, conducting, instrumental and choral performance, and reading and writing of music are taught. Japanese educators often criticize the approach as emphasizing the intellectual rather than the creative. (CS)

Frank Leto, a professional musician and a Montessori teacher, discusses his professional music career, family, the arts in Montessori education, the lifestyle of a professional musician, writing children's songs, and percussion instruments. Provides advice for teachers of music. (SD)

Around the world, the singing of lullabies and reciting of nursery rhymes foster children's development and show parents' love for their infants and young children. (BB)

The five papers in this collection on art and music environments in developing countries were presented at the 1984 IFLA general conference. (1) In "Developing an Art for Life's Sake," Gavin Jantjes, a black South African artist currently living and working in the United Kingdom, offers personal viewpoints on issues relating to the art…

Presents an interview with Julie Gold that addresses the importance of music in her education, her career as a songwriter, and her work as a professional singer. States that music and the arts is a crucial aspect of a child's education and that our society should recognize the triumphs of artists/musicians. (CMK)

Examines Houston Baker's argument for rap music's place in academe. Baker suggests rap as being one of the most creative and productive forms of cultural expression to come along in some time warranting the same kind of scholarly attention afforded the works of history's most noted philosophers and poets. (GLR)

Points out importance of the Paideia Proposal for music and music education, including educating all students in music, emphases on performance and appreciation, and programs for music teacher education. Notes limitations of the proposal with regard to music teacher education. (MH)

Contends that music education for adult learners is an important educational trend. Discusses the special needs and concerns of adult learners. Recommends approaches to setting up adult music learning centers. (CFR)

Maintains that music educators have struggled for decades with issues related to a "multimusical culture." Contends that balancing the musical traditions of Western civilization and honoring the varieties of music of cultural subgroups is a major issue in contemporary music education. (CFR)

Contends that music educators must develop a stronger rationale for music education in the face of economic pressures and questions about the value of aesthetic education. Argues that music educators must stress both the utilitarian and aesthetic objectives of music. Includes six basic rationale statements for music education. (CFR)

Presents an interview with Eiji Oue, one of the youngest conductors to ever hold that position with the world famous Minnesota Orchestra. Oue talks about his experiences working with and teaching young people across the United States. He also discusses differences between music instruction in the United States and his native Japan. (MJP)

Considers the implications of discipline-based art education (DBAE) for music education. Recounts the historical shift in art education that produced DBAE. Identifies DBAE's characteristics. Explores the influence of the Getty Center for Education in the Arts upon DBAE. Urges further discussion of incorporating DBAE ideas into music education. (CH)

Argues that music is a universal language and is important to integrate in the Montessori classroom through teacher education, child-directed activities, and learning individual tones, followed by recognition of patterns and musical sentences. Provides a historical timeline and analysis of musical development. Discusses merits of a music…