A flexible, point contract system is described which maximizes the advantages of a criterion-referenced contract system while eliminating some of the disadvantages of standard grade contracts. This model has been used by the author in a variety of high school and college courses. (Author/SJL)

Argues that teachers need to be aware of the diverse conceptual demands made by writing assignments in various disciplines; illustrates this by analyzing four assignments. (DD)

Suggests how autobiography defines itself as a system of voices, with the author in a dialogic relationship with the elusive nature of language. Argues that autobiography is a sophisticated form of composing, appropriate for the advanced composition class. Suggests that autobiography can create a memorable educational experience. (RS)

Describes cultural studies as a framework for analysis and critique, not a political agenda. Shows how the author has used cultural studies as a way to get his students to write intelligent, reflective papers about topics that interest them. (SR)

Argues that composition teachers should assign essay topics on writing because, by writing about writing, students can synthesize and master the material covered in class. (SR)

Presents a collaborative essay by a writing teacher and a writing student in which they try to make sense out of a situation in which the student was fired from her off-campus job for what she had written in the context of a writing assignment in the university setting. (PRA)

Maintains that cliches can improve students' writing style. Describes six techniques for polishing cliches into something original. (SR)

Presents the responses of five professional leaders in young-adult literature in response to Edwin Greenlee's problem with recommending books which may contain sexually explicit text. (PRA)

Explores the quality of "voice" in writing, and how an individual's early experiences and heritage influence voice. Advocates using exploration of voice with students in freshman composition. Uses "In Praise of What Persists," a collection of essays, as models for the students and a source of writing assignments. (PA)

This paper discusses the critical relation between professor, student and technology in the process of encouraging graduate students to read required textbook sections. It discusses how using online management software, graduate students are required to submit weekly chapter summaries to the professor by 5:00 pm on Fridays. In addition to the…

Imaginative writing is a great vehicle for creative thinking and risk taking as children structure a reality in a story. However, the author believes that American children are untrained for this sort of work and progress. They need connected experiences. This insight intensifies the author's resolution to seek collaboration with artists in other…

Describes how a college professor incorporates "commonplace books" into his courses, with reading and writing the focal practices in curriculum studies classrooms. He defines commonplace books as collecting places for various writings related to the courses. The books represent fragments of a variety of experiences in a variety of…

Compares J. Agee's film reviews for "Time" and "The Nation," concluding he assumed a more knowledgeable, sophisticated audience in readers of "The Nation." Analyzes content, style, and structure of reviews, showing loose structure, deductive reasoning, and rambling style in "Nation" reviews, and coherent,…

Suggests, on a humorous note, a game-plan for assignment justification and elaboration that utilizes, in a constructive and professional manner, the best of what is known about assignment-making. (EL)

Describes a poetry writing assignment that teaches students the importance of place and objects in expressing emotions about a childhood memory. (RL)