The author describes his approach to early art education. Utilizing a puppet companion and found materials, he presents art as a sensory and intuitive experience. (SJL)

Described is a demonstration to illustrate the storytelling qualities of "clayscapes" and to suggest just one of the innumerable sculptured environments that are possible with clay. Clayscapes are sculptures which are minilandscapes made of clay. (KC)

Asserting that elementary classroom teachers want and need specific, inexpensive, practical art projects and that art educators in teacher education should supply such projects and ensure their aesthetic and philosophical soundness, the author describes a scheme for generating a year's worth of such activities for each grade level, K-6.…

Points out that there is an enormous amount of material from the world of art that can help people see and, therefore, help them write. Notes the connections between writing and visual art as expressed in the work of many writers, including the author. Offers suggestions on how to explore the connections between writing and art. (SR)

Considers the importance of teachers learning about an artistic discipline in much the same way that language arts teachers are encouraged to write. Discusses knowing what materials can do, making materials mean something, and children's artistic intentions. Visits two second-grade classrooms in which working with clay invites students to think…

Suggests that by combining art and literature into units of study, students will gain additional opportunities to connect their learning. Discusses several class projects adaptable to any grade level, school setting, and teaching or learning styles. (RS)

Describes an award-winning program that integrates art throughout every stage of the writing process. Suggests that the program provides an alternative pathway into writing for children with diverse learning styles. Discusses research supporting the effectiveness of the program. (RS)

Describes how a teacher integrates art and literature in teaching English and world literature, by using slide presentations of modern art to graphically demonstrate the characteristics of modernism--fragmentation, alienation, heightened subjectivity, narrative distancing, and discontinuity in time. Describes and relates specific works of Dali,…

Reviews attitudes toward art in the early Catholic Church, considering the ability of art to influence those who experience it. Highlights the spiritualism of the Russian painter, Wassily Kandinsky. Suggests ways in which today's religious institutions can use art as a form of outreach to bring greater meaning to members of their congregations.…

In this article, the author describes an interdisciplinary and interactive lesson --"Meet the Artist"--that not only is a great way to introduce elementary school students to art history, but also encompasses writing, research, computer skills and the creation of art.

In this article, the author describes how she conducts her art classes. She relates that she begins all of her classes by asking prompting questions and presenting basic information such as a definitions of art terminologies to her students. The author believes in brainstorming with her students, an effective way for creating a dialog with her…

Highlighting the fundamental concepts of discipline-based art education (DBAE), this essay supports a comprehensive elementary and secondary education visual arts teaching approach that features content and skill learning in art history, production, criticism, and aesthetics. Section 1, "The Arts and the Mission of Education," considers:…

Discusses the Australian "Share the Joy" project which promotes art appreciation experiences for young children and adults in a gallery setting. Describes and reflects on the reactions of children to original art works in museums and examines the responses of children and parents to a prepared studio environment. (GEA)

The part that words play in teaching art has been underestimated. In a good art class, there is an interplay of ideas about the ongoing work. By using the right words, the teacher can help students develop their creative faculties. (CS)