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Hodges, Gabrielle Cliff – English in Education, 1995
Argues that how and why a particular range of texts are selected, read, and taught determines the extent to which they contribute to a pupil's development. Shows how the teaching of John Keats's "Isabella or the Pot of Basil" and paintings by William Holman Hunt and John Everett Millais meet the challenges of the new Order for English.…
Descriptors: British National Curriculum, Higher Education, Nineteenth Century Literature, Painting (Visual Arts)
Loss, Archie – Highway One, 1986
Discusses ways of relating students' personal experiences to complex modern literature such as Joyce's "Portrait of the Artist" and Eliot's "The Wasteland" so that they can better understand and relate to these texts. Also discusses the use of paintings to help students see the literature and then analyze it. (SRT)
Descriptors: Experiential Learning, Integrated Activities, Literary Criticism, Multimedia Instruction

Parsons, Michael J. – Journal of Aesthetic Education, 1987
Provides a developmental interpretation of some of the differences in peoples' responses to art. The interpretation is based on a theory that focuses on how people understand paintings. Identifies a five-stage theory of aesthetic development and illustrates the typical stage responses of people viewing the Ivan Albright painting "Ida." (JDH)
Descriptors: Adults, Aesthetic Education, Aesthetic Values, Art Education
Herberholz, Barbara – Arts & Activities, 2002
Focuses on the home of Charles Demuth that is located in Lancaster, Pennsylvania. Describes, in detail, the house and the Demuth Tobacco Shop, which is located next door to the house. Includes information on the life and work of Demuth. (CMK)
Descriptors: Art Education, Art History, Artists, Biographies

Swan, John – Library Trends, 1991
Discusses an apparent case of censorship via card catalog indexing in a Florentine research library. The challenge to the authenticity of a fresco by Simone Martini is explained, the ethics of collegiality are considered, and attempts to find redress through various library associations are recounted. (18 references) (LRW)
Descriptors: Art History, Card Catalogs, Censorship, Collegiality

Garoian, Charles R. – Studies in Art Education, 1998
Illustrates how historical art education metaphors objectify and stereotype the environment through landscape art. Proposes a new metaphor of art teaching, ecological pedagogy, as a means of critiquing stereotypes and of promoting compassionate and caring representations of the environment. Offers strategies for implementing an ecological art…
Descriptors: Art Education, Art History, Curriculum Development, Ecology

Sakofs, Mitch – Journal of Experiential Education, 1998
Uses metaphors of the preparation necessary for painting and for Columbus's journey into the unknown to suggest a model for planning and promoting school reform. Steps include definition of preexisting conditions, assessment of the situation, immersion (communication and trust building among stakeholders), and coordinated strategic and tactical…
Descriptors: Change Agents, Change Strategies, Educational Change, Elementary Secondary Education
Duffy, Bernadette – Open University Press, 2006
Learning through the arts has the potential to stimulate open ended activity that encourages discovery, exploration, experimentation and invention, thus contributing to children's development in all areas of learning and helping to make the curriculum meaningful to them. In this book, the author draws on her extensive experience of promoting young…
Descriptors: Young Children, Imagination, Creativity, Early Childhood Education

Stolnitz, Jerome – Journal of Aesthetic Education, 1984
Whether or not knowledge about the painter Picasso is helpful or indispensable in teaching appreciation of his art is discussed. Three studies by Denis Thomas, Mary M. Gedo, and Frank Elgar that argue that knowledge of Picasso the man helps students understand his paintings are examined. (RM)
Descriptors: Aesthetic Values, Art Appreciation, Art Education, Artists

Olson, Lester C. – Quarterly Journal of Speech, 1983
Examines Rockwell's "Four Freedoms" posters and considers the historical circumstances during which they were mass-distributed. Observes how these paintings that praised the political and religious values of Americans were used to educate the people about the necessity of participation in World War II. (PD)
Descriptors: Democratic Values, Identification (Psychology), Painting (Visual Arts), Persuasive Discourse

Henkes, Robert – Early Child Development and Care, 1990
Explores the similarities between paintings of the abstract expressionists and those of young children. Similarities include total surface coverage, disregard for details, direct application of pigment, disregard for visual perspective, and use of the painting surface as a frontal plane. (CB)
Descriptors: Art Expression, Artists, Childrens Art, Color

Carter, Mary Ruthe – English Journal, 1984
Establishes a link between the themes of Golding's fiction and the paintings of the Brueghel. Traces their use of the grotesque to impress a message on the mind of the reader or viewer. (CRH)
Descriptors: Art Appreciation, Artists, Comparative Analysis, English Instruction
Gamble, Harriet – Arts & Activities, 1999
Interviews Robert Barrage, a corporate industrial designer turned painter, who discusses his art degree, career change, his daily schedule, where he gets ideas for his work, how he creates his paintings, his teaching experiences, and ideas about teaching art to children. (CMK)
Descriptors: Art Education, Art Expression, Artists, Career Change
Royster, Jacqueline Jones – Sage: A Scholarly Journal on Black Women, 1988
Chronicles the career of Faith Ringgold, a Black woman painter, sculptor, and performance artist. An extract from Ringgold's autobiographical narrative, "Being My Own Woman" is included. (BJV)
Descriptors: Art, Art Expression, Artists, Biographies

Ettinger, Linda; Roland, Craig – Art Education, 1986
An overview of ways the microcomputer can be incorporated in existing art curricula is provided. Emphasized are the use of the microcomputer as part of studio art activities and the study of microcomputer art. A bibliography of software references is provided. (RM)
Descriptors: Art Education, Computer Assisted Instruction, Computer Graphics, Computer Software