Emerging literacy is a vital concern not only for whole language enthusiasts but also for all concerned with helping each child extend his or her individual literacy development. By avoiding a traditional, behavioristic, reductionist, readiness-oriented classroom, the primary school teacher provides a greater opportunity for creating a natural…

Through storytelling and creative drama, teachers can introduce children to good quality literature they might otherwise miss. By making the connection between books and storytelling and between books and creative drama, the storyteller/teacher introduces literature as a source of pleasure. Storytelling and creative dramatics also give children…

Describes the success of the Academy of Holy Angels' Theater School, which has earned the reputation of producing quality original productions. Discusses aspects of the theater program, including a discussion of the required courses and the ways in which plays are scheduled. Describes the plays that have been produced. (AJL)

Presents the idea that self-questioning is an important resource for learning, and that creative drama should provide a unique support for "wondering" in the classroom because drama teachers model open-ended questioning and elicit the same from students. (JC)

Describes a process called narrative theater that involves (1) the exploration of texts and the stories likely embedded within them, (2) a learning process that involves the creation of drama contexts, and (3) the use of theater conventions. (SRT)

Discusses how large hollow blocks can meet many preschool children's learning needs through creative dramatic play, and also gives some guidelines on how these blocks can be constructed by parents and teachers. (BB)

Discusses adverse effects of FCC deregulation of children's television programming on children's play behavior. Discusses the difference between play and imitation, the role of high quality dramatic play in healthy child development, the popularity of war play, and use of toys to increase dramatic play. Considers ways to help children gain control…

In contemporary drama education theory, much emphasis has been placed on the value of improvisation and role drama for contributing to the development of students. Working through role in improvisational formats has been thought to provide students with unique opportunities for understanding self and others by creating contexts that allow for…

Discusses the value of tool-use activities to help toddlers develop emerging skills, experience creative expression, and understand means-end relationships. Provides examples of opportunities for using objects as tools, including language acquisition, self-help activities, dramatic play, sensory experiences, and object manipulation. (DST)

Suggests that children will become more constructively involved during outside play time if teachers and caregivers plan and implement outdoor learning centers and change them frequently. Identifies four kinds of play and describes appropriate learning center activities for each. (BB)

Explores the theme of "entrances" in children's literature and film from the physical, emotional, and symbolic perspectives. Materials containing each type of theme are suggested. Programming ideas for developing the theme using art, storytelling, dramatic play, and creative writing activities are provided. A resource list including 91…

Explains why play is an important tool for understanding and diagnosing children's problems, outlining signals for concern in children's play. Focuses on three areas of play where deviations can be observed: thematic content, style of play, and social interactions in play. Suggests strategies for dealing with these deviations, examining the role…

The amount of violence and inappropriate information that children receive through television and other media is a matter of concern. This paper reviews the values of fantasy play and compares those values with the effects of television viewing on New Zealand children. Both obvious and subtle messages that children receive from television are…

The "back to basics" movement has mistakenly pushed drama to the periphery of the school program. Direct communication of verifiable facts, once again so valued, actually militates against the personal creation of meaning. Always subjective, meaning develops through individuals' active encounters with events or situations--never through…

This introduction to, and comment upon, a symposium on communicative competence argues that the appropriate unit of analysis in language development is communicative competence and proposes that the development of communicative competence can be studied usefully through observing children's communication during role play. Communicative competence…