Noting that those objects and images currently accepted in the world of fine art might not contain those things posterity will consider significant, this paper offers a practical workshop activity that creates a culture from each individual's imagination. The activity explores images influenced by others or by individual values that reflect a…

Recognizes elementary teachers' lack of training in art education and presents approaches to aid them in art instruction. Discusses types of art and projects that can be implemented in the classroom to give students an appreciation for a wide range of art. (DMM)

The artist experiences the world and extracts from it elements that have worth. The study of art is a training in perception. Children should be introduced to works of quality and should be encouraged in their own artistic activity because art educates their responsiveness to values. (CS)

While school art programs receive support from classroom teachers and school administrators, rationales for such support are frequently based on misconceptions of art and art learning processes. Through critical examination of two recent articles (Pierce, 1981; Klein, 1982), the author establishes a more accurate representation of current thinking…

Recommends that the essentials of a quality education in art include a wide variety of art experiences by students, including art criticism, aesthetics, and art history. Provides a model to be used in art instruction which outlines the hierarchy of art-response levels for children. (HB)

Offers an essay by children's author and artist Peter Catalanotto. Argues that contests and competitions stunt creative growth. Maintains that there is no "best" in art; all children should feel confident to add artistic adventuring to their lives; and the joy and lasting value of creativity is in the discovery of process, and in creating from the…

In this article, the author describes that teaching students how to unlock the color of white is his passion. Like so many other art teachers, he struggled for years teaching color wheels and making value scales, only to be frustrated when students produced colorful charts and then made colorless paintings. He was teaching students how to mix…

Explores the ongoing debate within art education about whether or not to copy The evidence offered against copying raises the need for caution in the use of copying. Concludes that, although there is no universal agreement, copying is productive for young people in certain circumstances. (Author/BSR)

Examines the use of an art exhibition to help students fully develop their potential as artists. Describes how students gain new insights into their work as they prepare it for exhibition. Discusses three programs which demonstrate the value of exhibitions to school children and includes pictures of student work. (GEA)

Discusses the advantages of academic games and simulations in art education. Provides information on developing academic games and simulations and includes an example. Concludes that these strategies not only broaden the range of instructional approaches, but enhance the learning that results from the study of art. (GEA)

There are five categories of titles of paintings: descriptive, narrative, directive, poetic, and arbitrary. When children title their work they give clues to its intent and challenge the presuppositions that adults may bring to children's art. Titling can expand students' ideas for painting and provide a greater variety of approaches. (CS)

Discusses nine potential consequences of art activity which lead to qualitative changes in children's ability to think and perceive and to regard the world as a source of aesthetic experience. Suggests that art education enhances cognitive development by enabling children to derive symbolic meaning from experience. (Author/MJL)

Discusses the potential for cooperation between schools and art museums and examines the use of visual materials in the classroom. Surveys show that teachers normally use nonprint visual materials only to make their classrooms attractive or to illustrate information. Museum experiences can enrich student visual imagery and appreciation of art. (AM)

Art students made sketches of their subject area teachers and created life-sized caricatures of some of them. They then created biographies for their figures and explored their reasons for the stereotypes they developed. (KC)

Offers the observations, struggles, and musings of a music teacher as she examines and experiments with the notion of curriculum integration, valuing integrated curriculum while wishing to maintain the integrity of the different disciplines. (SR)