This article draws from the insights offered by discourse analysis and the study of gesture to examine imagination as a product of, and resource for, social action. Using data collected during ethnographic fieldwork at an architecture firm, the article explores how imagining can emerge from a group of interactants who use many semiotic media,…

This book explores the subject of metaphor, using the imagery of cartography to set a course. It explores the creative aspects of thinking and learning through literature, writing, and word play, drawing connections between English and other content areas. Theory and practical applications meet in the book, linking activities and resources to…

In an effort to ensure that the arts receive equity with other areas of study, this paper presents an argument for the value of arts education in children's development. The argument is based on the work of four experts: (1) Nelson Goodman, who held that symbols are indispensable to communication, and that children's capacity for acquiring…

Educators are under almost constant pressure to make schooling relevant to the lives of their students. Students, however, who are never exposed to the realms of possibility beyond their own immediate experience hardly have an equal opportunity to enjoy the benefits of education, since everyday experience tends to reinforce social inequalities.…

Imaging is the process of creating mental pictures that can be scanned as people would scan a current event. It is a real, powerful personal process, which has been used in medicine, science, health care, sports, creativity, education, and other areas. On a day-to-day level, imaging can be used to engineer insights regarding self-concept,…

By participating in their children's imaginative play or pretending, parents may be able to understand better their children's feelings, resolve parent-child conflicts, communicate parental values, and build parent-child relationships based on mutual respect. Many people seem to believe that pretending appears automatically in young children, that…

A theory of teaching creative writing that involves preconscious learning is presented in this paper. Following a review of the literature on methods of developing writing ability, the paper describes a three-step creative process of preparation (the gathering and study of appropriate materials), incubation (the preconscious absorption and shaping…

Without opportunities to acquire multiple forms of literacy, children will be handicapped in their ability to participate in the legacies of their culture. The forms in which thinking occurs should not be subjected to the status differences and inequities of society. (MLW)

Notes how discussing poetry as oral language helps high school students relate poems and imagination to their everyday lives. (RL)

Two opinions are expressed: (1) that the notion that lawyers and judges are obliged to answer all hypothetical questions asked about laws and litigation is unrealistic and inappropriate, and (2) that hypotheticals can be intelligent questions illuminating some of the difficulties of legal theory. (MSE)

Reports of one poet's efforts in elementary classrooms to counteract the misconception of the syllabic nature of haiku. (RL)

The classroom is a ritual space in which the wisdom of the past is enacted and the shape of society to come is determined. As seen in literary works, there is a division between liberal learning and the world of action. Liberal learning enacts large, universal patterns of action. (JN)

Asserting that the mind of the creative reader operates precisely like the mind of the creative writer, the author examines theories of the psychology of poetic composition, in order to draw implications for the teaching of literature. (SJL)

Questions why imagination is not brought into mainstream education as a cornerstone of learning and why education frequently makes students incapable of relating to what is alive and meaningful within themselves. Without imagination, it is impossible to experience the infinite qualities of our senses, nor to shape our thoughts and images of these…

Challenges the notion evident in discourse about children and television that fantasy and make-believe are self-evidently appropriate genres for children and that children are more imaginative than adults. Draws from social psychology and anthropology theories to argue that fantasy and imagination are basic to the way that all humans organize…