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Higgins, Hillarie J. – Education 3-13, 2012
This article discusses the risks and possibilities of communicating and educating the child's emotional self in a formal classroom environment. Through designing and implementing an expressive arts curricular intervention in a Scottish primary school classroom, my research produces an example of how therapeutic notions focused upon health and…
Descriptors: Ethics, Classroom Environment, Educational Experience, Emotional Development
Carroll, Noel – Journal of Aesthetic Education, 2009
In this article, the author considers Hamilton's idea of "basic understanding" of a theatrical performance. The author finds it hard to grasp this conception. He worries, although perhaps only on the basis of misunderstanding, that Hamilton's conception of the basic understanding of theatrical performances will not do the work he wants it to do as…
Descriptors: Theater Arts, Performance, Comprehension, Philosophy
Meskin, Aaron – Journal of Aesthetic Education, 2009
James Hamilton's "The Art of Theater" is a careful and imaginative scrutiny of the art of theater done at the very highest level. In this article, the author comments on a number of issues raised by Hamilton's work. These include: the definition of theatrical enactment; the place of pretending and imagining in theatrical performance; the nature of…
Descriptors: Theater Arts, Performance, Aesthetics, Drama
Hamilton, James R. – Journal of Aesthetic Education, 2009
In this essay, Hamilton responds to criticisms of his book "The Art of Theater" (Malden, MA: Blackwell, 2007). Acknowledging that he expected that the central proposals in "The Art of Theater" would seem a little strange to philosophers, he reiterates his belief that the three general facts of any theatrical performance are its presentation, its…
Descriptors: Theater Arts, Books, Criticism, Philosophy
Davies, David – Journal of Aesthetic Education, 2009
One among the many virtues of James Hamilton's book, "The Art of Theater," is that it challenges the hegemony of the classical paradigm in the performing arts by questioning its applicability to theatrical performances. He argues instead for an "ingredients model" of the relationship between a literary script and a theatrical work. According to…
Descriptors: Theater Arts, Performance, Drama, Models
McDermott, Morna – Journal of the Scholarship of Teaching and Learning, 2008
This essay focuses of an arts-informed inquiry performed by sixteen pre-service teachers who created sculptures to explore their teaching philosophies. Through this creative process changes occurred in their assumptions and expectations about what is of value in teaching and relationships between themselves, their students, and the community. The…
Descriptors: Preservice Teachers, Educational Philosophy, Sculpture, Creative Activities
Eisele, Kimi – Teaching Tolerance, 2008
Room M219 of Tucson's Catalina High School feels more like a hip design shop or bustling photography studio than an advanced English as a Second Language (ESL) class. Printouts of photographs lie scattered amidst rows of computers. Fingers dash across keyboards and images flash onto monitors as students review their own work. One would never guess…
Descriptors: Photography, Art Education, Artists, Refugees
Mishlove, Robert; Strange, Wayne – Teaching Artist Journal, 2008
Wayne Strange is a sixth-grade student and Bob Mishlove is an art teacher at Nathan R. Goldblatt Elementary School. Bob is a participant in the Building Community, Curriculum and Leadership initiative of the Chicago Public School's Fine and Performing Arts Magnet Cluster Program for elementary schools. Collaborating with the Chicago Arts…
Descriptors: Art Teachers, Elementary School Students, Teacher Student Relationship, Art Activities
Graham, Mark A. – Journal of Museum Education, 2007
The medium of artist Fred Wilson is the museum. He delves deep into museum collections to expose unexamined assumptions about power, place, privilege, and history. His installations include wall labels, educational materials, lighting, and non-traditional pairings of objects. His work is not only about the objects on display, but about how the…
Descriptors: Artists, Museums, Interviews, Art Activities
Burkhart, Anne L. – Studies in Art Education: A Journal of Issues and Research in Art Education, 2006
Although bookmaking activities continue to multiply in all educational contexts, ways that many artists have worked with the form and concept of the book have received scant attention. An art form developed, matured, and recognized beginning in the 20th century, artists' books occupy a particular niche among bookmaking practices. In this article I…
Descriptors: Artists, Art Education, Books, History
Bakerlis, Julienne – Young Children, 2007
In a time of seemingly rampant budget cuts in the arts in school systems throughout the country, a children's art show reaps many rewards. It can strengthen family-school relationships and community ties and stimulate questions and comments about the benefits of art and its significance in the development of young children. In this photo essay of…
Descriptors: Family School Relationship, Young Children, Child Care, Art Activities
Miles, Malcolm – Research in Drama Education, 2007
In the context of debates on place, space, and identity in a period of globalisation, this article asks whether collaborative arts projects are a means to identity formation for participants. This is of interest, not least, because such projects are outside consumption, the latter more often discussed in work on identity in sociology. Situated…
Descriptors: Foreign Countries, Art Activities, Cultural Activities, Urban Areas

Rettstadt, Joyce S. – School Arts, 1979
It is suggested that sandstone makes a good inexpensive medium for sand sculpture. It is available at foundries, or it can be made out of sand. Two formulas for making sandstone are included. (KC)
Descriptors: Art Activities, Art Materials, Elementary Secondary Education, Sculpture
Stephens, Pam – SchoolArts: The Art Education Magazine for Teachers, 2005
When small art images are incorporated into the curriculum, students are afforded opportunities to slow down, observe minute details, and communicate ideas about art and artists. This sort of purposeful art contemplation takes students beyond the day-to-day educational practice. It is through these sorts of art activities that students develop…
Descriptors: Art Education, Teaching Methods, Art Activities, Thinking Skills
Nazzaro, Jean N. – Education and Training of the Mentally Retarded, 1978
The article presents an interview with Louise Appell (Associate Director, The National Committee on Arts for the Handicapped) and Bluma Weiner (consultant to a program for handicapped people at the Metropolitan Museum of Art), regarding the current state of art experiences for the handicapped in the schools and community. (DLS)
Descriptors: Art Activities, Art Appreciation, Disabilities, Rural Areas