Examines the notion that much of what is taught in English classes is irrelevant to the challenges faced by today's students. Questions whether literary study serves students needing literacies outside the school. Considers the social context of literacy. Reconceives English instruction to provide relevant literacy skills. (HB)

Describes the widespread use of textbooks by language arts teachers. Explains the extreme prevalence and reliance upon textbooks, despite frequent complaints about textbook quality. Considers ways of revising textbooks and how they can be used to benefit teachers and students alike. (HB)

Reviews and critiques a new collection of essays edited by Virginia R. Monseau and Gary M. Salvner: "Reading Their World: The Young-Adult Novel in the Classrooms." Considers especially the "literariness" of literature. (HB)

Provides an account of how one English teacher fosters student appreciation of ethnic and minority literatures by teaching Linda Hogan's poem, "The Truth Is." Shows how students can be encouraged to consider their own cultural heritages. Asks student groups to concentrate on how one word is used within the poem. (HB)

Considers the emergence of English Romanticism in the early 19th century as the advent of new ways of thinking and knowing. Compares the cognitive skills of romanticism with the development of adolescent cognition. Shows how English teachers can tailor literature instruction to foster the insights of romantic understanding. (HB)

Details the concepts of romanticism and classicism and how they relate to secondary English instruction. Argues that teachers should offer students both the imaginative adventure of the romantic and the analytical power of the classicist. Describes a visual lesson by which these two modes might be illustrated and fostered. (HB)

Reviews and critiques a new writing textbook by LaRene Despain: "Writing: A Workshop Approach." Considers especially the types of writing assignments advocated and the kinds of skills needed for researched argumentative essays. (HB)

Considers what makes up the sensibilities and personal traits of a writer. Describes how one writer learned to express herself through a particular writing workshop. Outlines the reasons writers write and lists some tricks of the trade. (HB)

Describes the sensibilities and temperament that make a successful, daily writer. Questions why writers write. Attempts to define what it is that makes a writer write. (HB)

Describes one key goal of writing instruction as being to help students develop successful rituals in their writing processes. Compares two kinds of writers: Beethovians and Mozartians, or discoverers and planners. Relates these two groups to writing instruction, and suggests a combination as a third group. (HB)

Provides an account of the recent right-wing backlash in the United States against trends in higher education. Traces the continuing "crisis in English" to historical origins of humanities as a sequestered enclave. Suggests that this conflict will largely determine the future of English instruction. (HB)

Outlines the contradictions inherent in the conservative agenda supporting both the traditional literary canon of instruction and an aggressive promotion of vocationalist modernization. Discusses the connections between these two initiatives and offers an example of a practical alternative to both. (HB)

Discusses the novel "Web of Dreams" by Virginia Andrews, a favorite among many secondary students. Considers the book as subject for secondary English study. Claims that the novel defies most teacherly prejudices about formula writing. Provides detailed criticism of the novel. (HB)

Discusses the issue of the use of nonfiction reading in the primary classroom. Looks at the way a group of children progress from asking questions, to knowing the facts, to becoming reasoning beings. Outlines the experiences of one teacher's attempt to help children take steps to discover information on pigs. (HB)

Considers the proper definition and function of essays as topic of English instruction and as preferred mode in which students are assigned writing tasks. Tries to "denaturalize" the essay by thinking about how it has come to occupy such an esteemed position and the meaning of such esteem. (HB)