Reviews Pearl Greenberg's book on developing art programs for older adults. Finds it useful as reference for adult educators and those specifically involved in establishing art classes for older adults but lacking in its chapters on suggested art projects. (AEM)

This lesson plan for teaching students about the epic poem of India, the "Ramayana," encompasses literary, artistic, and moral themes. The lesson plan states that: (1) students are told the story; (2) students illustrate a part of the story; and (3) students write the moral lessons to be derived from the "Ramayana." The lesson…

Recounts problems facing community college arts programs. Considers college reputation and image essential to student recruitment. Focuses on Mercer County Community College's approach to arts programing, which stresses high-quality productions emphasizing community involvement, integrated services to campus constituencies, aggressive marketing,…

Proposes redirecting art education courses from narrow, studio-dominated programs to a general education emphasis, incorporating a studio/production component, a knowledge/appreciation component, and a critical/evaluation component, which are interdependent and derived from aspects of art program development commonly known as the productive, the…

Argues that theater students must be encouraged to keep competition in perspective. Points out that too often program growth and support are dependent upon the number of honors that participants receive. Emphasizes that competition should be engaged in for its positive learning potential or should be abandoned as a student activity. (KO)

Documents and analyzes the work of two computer-based art projects in Singapore where primary school children were involved in art production using a computer. Topics addressed include computer-based art learning; implications for art teaching and learning; technological issues; and aesthetic aspects. Examples of the art work are included. (three…

Reviews Natalie Robinson Cole's contribution to the field of art education by contrasting her philosophies with those of other art educators. Compares her teaching style with Viennese art educator, Franz Cizek. Concludes that Cole's life and work can be examined within as many frames for understanding as can be devised. (KM)

Discusses the connections between Montessori pedagogy and Brian Swimme's ideas of a human authorship of a connection with the evolution of the universe and a need to reestablish a connection with the natural world. Describes the ways the art of 11- and 12-year-old students demonstrates an awareness of these issues and a connection with the natural…

Suggests that early childhood teachers should eliminate boring, repetitive activities from their curriculum and engage students' minds in activities that stimulate thinking and reasoning. Instead of making paper snowflakes, for example, children might discuss and examine the characteristics of snow, study weather, and engage in other creative…

In this anthology the issues related to the fine arts (music, theater, visual arts) in the elementary secondary curriculum are examined. The fifteen articles, ranging in length from one to seven pages, are followed by a biographical page briefly identifying the contributors. The articles are: "What's It All About?" (Frederick B. Tuttle, Jr.);…

Considers the ways in which the processes involved in learning to read are inherent in art and music experiences; discusses visual arts activities as catalysts for vocabulary development, sensory control, and close observation; and provides an overview of such music activities as folk singing as motivaters for reading. (JL)

Outlines the life of Henri Matisse and how he created his paper cut-outs, which were reproduced in a book. Discusses the importance of artists' books. Suggests some creative activities for all grades in book making and paper cut-outs that could be worked in conjunction with a language arts program. (KM)

Argues for the necessity of identifying and recruiting art education teachers who will empower their students. Stresses that persons of this sort will be teachers who know art not just artists who teach. Identifies systemic and personnel changes which are necessary for increased assimilation of the arts into schools. (KO)

Looks at the relationship of the arts to corporations. Defines how this relationship might be applicable to arts education. Gives examples of corporations as contributors in the areas of funding media resources, of development and use of technology as a creative or instructional tool, and in providing human resources for endeavors. (KO)

Outlines how past art education provided a refuge for students from the rigors of other academic subjects. Observes that in recent years art education has become "discipline based." Argues that art educators need to reaffirm their commitment to a humanistic way of knowing. (KM)