Examines the effects of reading and writing multivocal texts and argues that writers need to assume interpretive responsibility for creating new forms of discourse. (TB)

Writers construct meaning when they compose texts, and readers construct meaning when they understand and interpret texts. Building meaning through reading entails organizing, selecting, and connecting. Readers use previously acquired knowledge to operate on textual clues, organizing mental representations that include material they select from…

Outlines two rhetorical principles for producing iconic-mosaic texts--the principle of complementarity and the principle of compensation. Shows how these principles can be applied to practical problems in coordinating the writing and design processes in student projects. (RS)

Theorizes that three features of electronic texts have changed writing and writing instruction: the creation of a seamless flow of text, word publishing as a rhetorical act, and hypertextual writing and thinking. Discusses implications for how teachers read, respond to, and evaluate student writing. Stresses importance of linking writing…

Claims students can become better readers and writers by acquiring knowledge of the structure of the English language and developing skill in using the language. Discusses strategies for helping students to recognize five sentence patterns, and learn how to expand sentences. (NH)

For much of this century, text linguists have recognized that various tokens called "metadiscourse" may help explain how texts function. In linguistics, metadiscourse has a more concrete meaning than it typically does in composition: it refers to specific words, phrases, and clauses which are primarily intended to help the reader…

Explains how the writing process approach utilizing hypermedia software can help non-native speakers develop an awareness of English-language composition structures. Discusses the pedagogical basis for the writing process, as well as the benefits computers and specialized software can bring to the language classroom. (Author/VWL)

Identifies and describes the genres that a group of tertiary level English-as-a-Second-Language students produced during a process writing class in which they were free to decide their own topics, purposes, and audiences. Characteristics of these genres, the relationships among them, and their schematic structures are described. (Author/VWL)