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Tervo, Juuso – Studies in Art Education: A Journal of Issues and Research in Art Education, 2012
In "Postphysical Vision: Art Education's Challenge in an Age of Globalized Aesthetics (AMondofesto)" (2008) and "Beyond Aesthetics: Returning Force and Truth to Art and Its Education" (2009), jan jagodzinski argued for politics that go "beyond" representation--a project that radically questions visual culture…
Descriptors: Art Education, Visual Arts, Culture, Theories
Petersen, Greg – Journal of Aesthetic Education, 2006
Among the harshest critiques ever received during my doctoral coursework came from a professor who was noticeably perturbed that I had researched and written a paper on an artwork without considering the title in the interpretation and analysis of the work. The professor insisted that the title is necessary to understand the piece. As a diligent…
Descriptors: Classification, Visual Arts, Artists, Literary Criticism
Kamhi, Michelle Marder – Arts Education Policy Review, 2007
In this article, the author analyzes Arthur Efland's "Art and Cognition," which advocates study of the visual arts for its cognitive benefits. The author argues that Efland's cognitive premises are largely sound but that his specific recommendations often belie the general principles he espouses. Efland focuses on the interpretation of baffling…
Descriptors: Visual Arts, Art Education, Books, Cognitive Development
Tavin, Kevin; Hausman, Jerome – Art Education, 2004
The term globalization has come into popular use in many areas of discourse. For the most part, it refers to the development of global financial markets, the growth of transnational corporations, and their increasing domination over national and local economies. As the authors use the term in this article, the meaning and significance of…
Descriptors: Art Education, Visual Arts, Popular Culture, Global Approach

Clements, Robert D. – Journal of Aesthetic Education, 1979
The author describes how the true principles of the scientific inductive method are not opposed to the principles of teaching visual art criticism, and suggests that the inductive method of teaching visual art criticism strips it of its mystique in order to make clear its vital role in intellectual development. (KC)
Descriptors: Analytical Criticism, Art Appreciation, Induction, Scientific Methodology

Ding, Daniel D. – Journal of Technical Writing and Communication, 2000
Presents historical roots of page design principles, arguing that current theories and practices of document design have their roots in gender-related theories of images. Claims visual design should be evaluated regarding the rhetorical situation in which the design is used. Focuses on visual images of documents in professional communication,…
Descriptors: Aesthetic Values, Design Preferences, Feminist Criticism, Higher Education
Tavin, Kevin – Studies in Art Education: A Journal of Issues and Research in Art Education, 2005
Hauntology refers to spectral traces, phantom voices, and palimpsestic discourses that help construct a way of understanding ourselves and acting in the world. This essay explores the hauntological shifts within art education's struggle over popular (visual) culture through a review of positions that view popular culture as an embodiment of…
Descriptors: Fear, Popular Culture, Art Education, Aesthetics
Charman, Helen; Ross, Michaela – International Journal of Art & Design Education, 2006
Recent research indicates that the taught curriculum in art and design secondary school education pays scant attention to meaning-making in visual art. This article explores possibilities for teaching interpretation through a report on an action-research project based on Tate Modern's Summer Institute for Teachers. In doing so it argues for the…
Descriptors: Curriculum Development, Art Education, Design, Secondary Schools
Lewis, Charles – 1993
"The Ring Toss," a gum-print six-by-eight-inch photograph produced in 1899 and first published in 1903, has become one of photographer Clarence White's most noted images. It is an example of soft focus, or fuzzy pictorialism, a type of American art photography most practiced around the turn of the century. This analysis of the photograph…
Descriptors: Art Criticism, Art History, Artists, Cultural Background
Dorn, Charles M. – Art Education, 2005
The art education literature has recently given a good deal of attention to the topic of Visual Culture in Art Education (VCAE). VCAE appears to some art educators as the next new emphasis in art education following Discipline-Based Art Education. At least four recent theme issues of Art Education have addressed the topic in various ways. All of…
Descriptors: Visual Arts, Cultural Influences, Studio Art, Art Education

Kamhi, Michelle Marder – Arts Education Policy Review, 2004
In this paper, the author asserts that current efforts to transform art education into visual culture studies (VCS) constitute a deeply disturbing educational trend. She asserts that, much like the now largely discredited developments in literary studies of recent decades (whose bankruptcy it apparently ignores), this movement aims quite…
Descriptors: Educational Trends, Visual Arts, Art Education, Cultural Influences
Blandy, Doug, Ed.; Congdon, Kristin G., Ed. – 1991
Contributors to this anthology analyze the contemporary academic methods for critiquing art and suggest new ways that might further the understandings of art created by diverse individuals and groups. Essays are organized into three sections. Part 1, "Changes and Extensions in Critical Approaches" includes essays: (1) "Beyond Universalism in Art…
Descriptors: Aesthetics, Architecture, Art, Art Criticism

Seabolt, Betty Oliver – Art Education, 2001
Discusses the differences and goals of four areas: (1) art appreciation; (2) art history; (3) art aesthetics; and (4) art criticism. Offers a definition of art appreciation and information on how the view of art appreciation in education has changed over time. (CMK)
Descriptors: Aesthetics, Art Appreciation, Art Criticism, Art Education

Irvine, Hope – Art Education, 1991
Addresses the issue of the fame of Leonardo da Vinci's "Mona Lisa." Describes several kitsch objects that have been created about the painting. Maintains that students need to address this issue otherwise such exploitation will depreciate the value of the art work. (KM)
Descriptors: Aesthetic Values, Art Appreciation, Art Criticism, Art Education
California Art Education Association, Carmichael. – 1991
The California Art Education Association (CAEA) has outlined guidelines to help administrators, teachers, and others responsible for determining the acceptable content of visual arts courses offered to meet California's state graduation requirements or entry requirements into a state university. Emphasis for visual arts courses should be on the…
Descriptors: Aesthetic Values, Art Appreciation, Art Criticism, Art Education
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