For this Instructional Resource, the author interviewed contemporary sculptor Michael Beitz, who uses art to explore the role of designed objects in human communication and emotional experience. This column was written in response to calls for using Enduring Understandings/Big Ideas (National Coalition for Core Arts Standards, 2013; Stewart &…

A student sketchbook is not a new idea. However, the appropriate application and assessment capabilities of the sketchbook are often overlooked. Historically, artists were trained via copying the works of master painters and draftsmen. In the same tradition, the author has infused the art curriculum with sketchbook copying exercises to improve…

In this article, the author, an art teacher at a Pennsylvanian high school, tells of methods she has used to help "open up" students in her Intermediate Studio Art class who are timid but talented individuals who will not risk embarrassment by expressing themselves. Her methods involved having students serve as models for sketches and…

A work of art documents the artist's perceptions. The conundrum of how to communicate one's perceptions effectively is the foundation of art. Making art in the classroom involves dialogs between artists and themselves, and artists and their audience. An entire class collaborating on a work augments the learning experience. Instructions are given…

This document gives anecdotal stories of child art making along with philosophical interpretations for art teaching application. Art making is seen as experimental. It progresses from action to intentional mark making, naming, symbolic representation, and finally to "presence", an aesthetic creation experience that combines seeing and…