Marks on Paper, a type of popular theater developed in British Columbia, helps literacy learners change personal beliefs about themselves, generates a sense of belonging, helps them break out of isolation, and transforms them through empowerment and action. (SK)

Argues that the physical and emotional experience of performing on stage is an opportunity for young female performers to gain knowledge about their gender identities. Maintains that physical learning of gendered "acts" may be part of the crisis many young women encounter in adolescence and that such "acts" can take place on…

Presents four narrative portraits of what the author experienced during a two-day visit to Pharr-San Juan-Alamo-North High School in Pharr, Texas near the border with Mexico. Describes his experiences with the high school's production of the play "Our Lady of the Tortilla" by Luis Santeiro, and discusses various ways that culturally…

For those analyzing oral interpretation performance, the theory of Symbolic Interactionism can be used to explain two interrelated phenomena that occur during the performance: expanded understanding of the text (emergent meaning) and expanded understanding of oneself (development of the self-concept). George Herbert Mead, a founder of Symbolic…

Discusses how David Booth's ability to elicit both commitment and authenticity in children's creation of improvised dramas distinguishes him as a teacher. Describes various phases and aspects of a drama lesson given to a group of fourth, fifth, and sixth graders that demonstrate his powerful teaching technique called "story-drama." (JD)

Makes sense of the performance of Steve Taylor's play, "Ties That Bind," from the perspective of the actors, 14 faculty members, and doctoral students from various universities in the United States by using the interpretive lens of Erving Goffman's Presentation of Self in Everyday Life. (SG)