This essay focuses of an arts-informed inquiry performed by sixteen pre-service teachers who created sculptures to explore their teaching philosophies. Through this creative process changes occurred in their assumptions and expectations about what is of value in teaching and relationships between themselves, their students, and the community. The…

It is suggested that sandstone makes a good inexpensive medium for sand sculpture. It is available at foundries, or it can be made out of sand. Two formulas for making sandstone are included. (KC)

There is a natural progression from making single objects to creating sculpture. By modeling the forms of objects like funnels and light bulbs, students become aware of the quality of curves and the edges of angles. Sculptural form in architecture can be understood as consistency in the forms. (CS)

The life of the sculptor Henry Moore is briefly discussed and characteristics of his sculpture are described. Also included are lists of recommended films and books dealing with Moore, a student's guide to looking at sculpture, and sculpture activities for secondary students. (RM)

Described is a demonstration to illustrate the storytelling qualities of "clayscapes" and to suggest just one of the innumerable sculptured environments that are possible with clay. Clayscapes are sculptures which are minilandscapes made of clay. (KC)

In this article, the author, an art teacher at a Pennsylvanian high school, tells of methods she has used to help "open up" students in her Intermediate Studio Art class who are timid but talented individuals who will not risk embarrassment by expressing themselves. Her methods involved having students serve as models for sketches and…

Claims that contemporary artists in Western society are obsessed with their careers and fail to approach art as total human beings. Cites three instances in which the latter has happened. Recognizes the experiential nature of learning in studio art and argues that artists/teachers are obligated to ground students' art experiences in praxis. (KM)

The 13 seminar papers presented in this collection discuss various avenues used for educating adults in the arts in order to enrich existing arts audiences and to educate the widest possible adult population in the practice and history of art and aesthetics. These efforts will ensure that the quality and quantity of arts participation and support…

Recognition of the handicapped child's isolation from the environment is the basis for creative art therapy across handicapping conditions (physical disabilities, mental retardation, emotional disturbance, deafness, Blindness, speech impairment, cerebral palsy). Detachment may be overcome by self expression through drawings, paintings, and…