As co-chairs of a tribute panel for their academic mentors, Carolyn Ellis and Art Bochner, the authors knew what the traditional responsibilities would require, but as a performer and a poet, they were inspired to do something more creative. Something poetic. Something performative. Something different. In this article, the authors present a…

Defines "something else" as something that attends to the complexity of the questions asked and the diversity of the "audiences" for whom "knowledge" is being produced--the fruits of research efforts. Finds that it is less a matter of continuing to perpetuate the qualitative/quantitative debate than attempting to…

Discusses issues of qualitative research stimulated by Eileen Waldschmidt's work on bilingual teachers and creative drama including issues of the researcher's stance, primacy of voice, and thickness of data. (SR)

Responds to jurors' comments and questions regarding the author's study on bilingual teachers and creative drama. Argues that she did write four teacher stories, but questions whether they hold up to criteria often used to evaluate stories. Asks just whose story is being told in qualitative research. (SR)

Because the researcher's interpretation is the final word, traditional research reinforces relations of domination. When popular theater is used as research methodology, the interviewer's interpretation is performed immediately following data collection, and interviewees offer their interpretations of the interpretation. This gives voice to those…