Considers what poets themselves have to say about poetry. Discusses how they write poems, why they write poems, and what poetry is good for. (RS)

Presents a poem inspired by the experience of a course in language across the curriculum for teachers in training in which students were offered the opportunity to take risks with their writing, to "bungee-jump" with pen and paper. (SR)

Describes how a veteran writer and English teacher who only recently began writing poetry encourages others to invigorate their teaching by taking up a new writing genre. Details the lessons he has learned from poetry and passed on to his own students. Outlines six problems he encountered and presents solutions for each. (SG)

Discusses Linda Sue Park, the 2002 Newbery Medal winner, and includes excerpts of an interview with her. Notes that her diverse writing career began at an early age. Discusses writing Korean "historicals" and researching her other books. Identifies mentors as an important characteristic of both her life and work. (PM)

Presents a letter written by a professional writer (and a former high school and college teacher) to a young female student who has started writing poems. Discusses why and how she writes. Urges the student to continue writing. (RS)

This paper contains three parts. Part 1 consists of a poem, "An Apology for Performative Writing." Part 2, "The Traditional Scholar's Game--An Argument," discusses the arguments regarding performative writing. It identifies several key arguments both for and against the works that cluster around such labels as performative…

Ellen Kreger Stark, in her article, "Reforming the Critical Space," in "Critical Quarterly" discusses the gap which exists for poets writing in academic discourse, saying that she could not tell when she was writing criticism and when she was being a poet. Usually, teachers/professors say such writing is too personal, too…

States that teachers who view themselves as writers experience the same sort of mental changes that regular writers do. Explains that attitudes about writing change, and higher interest in all things relating to writing increases. Argues that keeping a portfolio of writings is beneficial in the development of writing skills, even in writing…

Creative writing is not a magical art from magic wands, but an everyday practice in the hands of steady writers. Creative writing calls, above all, for self-discipline. Along with intellectual and emotional stamina, a poetic writer needs sensory awareness. The writer also forms a mysterious sixth sense--intuition. In search of the good words, the…

Explores the considerable benefits of reading poetry, why poetry is often neglected, and some of the ways the author brings poetry and children together, making poetry an integral part of the curriculum. Offers a list of recommended poetry volumes, as well as a list of recommended professional reading/supporting poetry-instruction in the…