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Albert, Daniel J. – Arts Education Policy Review, 2016
Media arts has been familiar to many through television, film, and digital graphics, and often appears as an extension of the four traditional arts disciplines: music, arts, theatre, and dance. As media arts continues to acquire its own unique identity, particularly through technological means, it has been included as a stand-alone discipline in…
Descriptors: Interviews, Art Education, Elementary Secondary Education, Teacher Education Curriculum
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Turner, Patrice E. – Music Educators Journal, 2008
The word gospel means "good news," and gospel music is the good news of the message of Jesus of Nazareth in song. African American gospel is a style that is growing in popularity. The number of twenty-four-hour gospel radio stations in the United States is increasing, and sales of gospel music recordings are on the rise. Gospel music…
Descriptors: Music, Singing, African American Culture, Christianity
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Fisher, Ryan – Research and Issues in Music Education, 2008
Music education organizations achieved a huge success in Texas several years ago when legislation declared music as a part of the core curriculum. Similarly, more recent national education legislation like No Child Left Behind has recognized music as a core curricular subject. Since that time, little has been done to assess music students to…
Descriptors: Music Teachers, Music Education, Professional Associations, Music
Orzolek, Douglas C. – Teaching Music, 2004
One of the greatest concerns for music educators over the next few years will certainly be accountability for our work m the classroom. The National Standards for Music Education give teachers, guidance for what their students should be learning in music classes, but the No Child Left Behind Act of 2001 has put additional demands on student…
Descriptors: Federal Legislation, Musicians, National Standards, Music
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Abrahams, Frank – Music Educators Journal, 2005
Paulo Freire developed critical pedagogy in Brazil in the 1960s to teach illiterate adults (or, as Freire calls them, "the oppressed") to read. Freire believed that teaching was a conversational exchange of information between the teacher and the student. He posed questions and problems to his students that caused them to take what they already…
Descriptors: Critical Theory, Music, Teaching Methods, National Standards
Teaching Theatre, 1994
Discusses the reform context, the importance of standards, the importance of arts education, the benefits of arts education, and the arts and other core subjects. (RS)
Descriptors: Academic Standards, Art Education, Dance, Educational Change
Kohl, Herbert – Multicultural Education, 2006
The Fake Book is a square spiral bound Xeroxed book, about 7" by 7", maybe 250 pages long. It's all music--the notes, usually in C or B minor, of hundreds of standard tunes, jazz, pop, and every once in a while, classical. The Fake Book and all of its variants provide an evolving canon of tunes that defines a set of common standards for…
Descriptors: Intellectual Property, Federal Legislation, High Stakes Tests, Public Schools
Hill, Peter – Teaching Music, 2004
Classroom music lessons are not usually a forum for addressing philosophical issues, but they can be. Through music and visual media, music teachers can discuss music with middle and high school students in a way that expands how they think about music and their environment. In other words, music teachers can open up space in their music classroom…
Descriptors: Films, War, National Standards, Music