Howard Gardner is a superstar among many art educators. He has written dozens of books, translated into 32 languages, that explore the mind, ethics, education, and the arts. His revolutionary theory of multiple intelligences is still a major influential force today. Gardner grew up in Scranton, Pennsylvania, the son of parents who left wartime…

Ellen Winner is a psychologist and a professor at Boston College. She specializes in psychology of art. In this interview, she answers the following questions including: (1) What are you currently working on, researching? (2) Could you elaborate on the intrinsic value of art education? (3) How might you compare your work today to earlier advocates…

Media arts has been familiar to many through television, film, and digital graphics, and often appears as an extension of the four traditional arts disciplines: music, arts, theatre, and dance. As media arts continues to acquire its own unique identity, particularly through technological means, it has been included as a stand-alone discipline in…

This paper was delivered as a response to a presentation by Jan Kronberg MLC, Chair of the Education and Training Committee, Parliament of Victoria that published a report of the "Inquiry into the Extent, Benefits and Potential of Music Education in Victorian Schools." Her presentation and this response were part of a forum conducted by…

In this commentary, I argue that Kevin Tavin's (2008) use of Lacan's "objet a" in his "Studies in Art Education" commentary "The Magical Quality of Aesthetics" is not a helpful analogy or solution for art education's search for the role of aesthetics. I offer that a pragmatist and dialogic viewpoint may be more useful and, because it describes the…

This article presents the author's response to the reviewers of her essay "Gender and Aesthetics." The reviewers have advanced some interesting disagreements regarding the author's speculations about the use of disgust in feminist and postfeminist art, and the connections that she draws between the disgusting and the sublime. In this…

In this paper, the author attempts to extend the paradigm approach into the philosophy of music education and to build upon this basis a model for structuring music education discourse. The author begins with an examination of Peter Abbs' account of paradigms and paradigm shifts in arts education. Then she turns to Kuhn's conception and to his…

This article presents an interview with four seasoned Teaching Artists: Keith Terry, Kimberly de Caires, Ruth Bossieux, and Jeff Raz. The TAs reflect on the importance and complexity of intellectual property issues. They also shed new light on the views and experiences of TAs around this issue and encourages a broader dialog in the TA community.

Argues that excellence in art education is not elitist, but that commitment to excellence is a traditional democratic value. Elaborates by describing the nature of beneficial elitism. Concludes that a synthesis of beneficial elitism and beneficial populism are required for the success of art education in a democracy. (BSR)

Offers the observations, struggles, and musings of a music teacher as she examines and experiments with the notion of curriculum integration, valuing integrated curriculum while wishing to maintain the integrity of the different disciplines. (SR)

Introduces jazz and compares case study preparation with the playing of jazz. Discusses several ways of writing teaching notes and presents a sample outline. Focuses on classroom management issues. (YDS)

Examines the place of liturgical music in Catholicism. Discusses the importance of music in worship, of music education in Catholic schools, and of efforts to include music in the curriculum. Suggests that expert guidance in evaluating liturgical music is required to assist those who may lack music literacy. (13 citations) (AJL)

Describes the summer program at St. Agnes School, in Kentucky, which puts on musicals about social issues. Focuses on the theme of this summer's musical, which is the futility and danger of violence. Discusses the awareness that the summer program musical has brought to the children. (AJL)

Discusses the reform context, the importance of standards, the importance of arts education, the benefits of arts education, and the arts and other core subjects. (RS)

Reviews the problem of defending expressive arts education within a rationalistic, reductionist, outcome-oriented educational milieu. Maintains that until expressive arts are seen as being mainly concerned with the development of mind, in the broad sense, the status of expressive arts in curriculum theory and educational practice will remain…