Describes the ongoing work of a teacher whose Summer Institute for Drama/Teacher Education at the University of Tennessee provides training for both theater and classroom teachers. Focuses on her teaching method--improvisational drama--which simultaneously addresses elements common to fiction and script writing, and now contained in the language…

Reports results of a survey investigating the amount of attention (page space) devoted to drama in textbooks, and identifies commonly presented topics. (VLC)

Creative dramatics offer the educator a variety of uses in the development of children's language arts proficiency and psychomotor skill level. (LH)

Cites some of the attempts to link theater with communication within the field of speech communication and describes the ways the two areas have shifted synchronously during the 1950s and 1960s. Suggests explanations for the parallel changes and new directions for further inquiry. (JMF)

This paper provides study activities for the Virginia Standards of Learning Program for Grades K-5 with the activities related to observation of story theater performances of "Mutsmag" and "Ashpet" (as dramatized by R. Rex Stephenson). The activities in the paper can be adapted for learning standards in other places and for…

Asserts that the arts, including art, music, dance, and theater, often are ignored or shortchanged in the school curriculum. Discusses how language education has assumed a central place in the school curriculum and whether art education can use curriculum integration to achieve the same status. (CFR)

The arts, rather than being just a "frill," are essential to a public school curriculum, because music, painting, poetry, dance, drama, architecture, and the other arts are media of human communication, conceptualization, and innovation. This argument is developed through affirmative responses to five questions: (1) Should education provide the…

Noting that knowledge of grammar rules does not ensure correct usage in one's own writing, describes an approach used in a summer workshop to promote awareness of appropriate idiom where 35 highly motivated black students produced 'Snow White' using their own script, half in standard dialect and half in black dialect. (JG)