In this article, the author has advanced the view that the world is currently on the threshold of a new status quo--the hegemony of the image. Yet, this seems a mixed blessing, for people, and especially young people, are not equipped with the necessary critical viewing and thinking skills to survive it. Nevertheless, this unfortunate situation…

Presents a rhetoric of visuals in relationship to their accompanying text. Discusses prior research in graphics, outlines a syntax of graphics and their level of abstraction, describes tagmemic analysis of visuals, and discusses rhetorical integration of text and visuals. (SR)

Suggests that verbal and visual literacy are interdependent and that English departments should take on the task of heightening visual literacy. (AEA)

Beardsley's explanation of how works of art have the capacity to give an aesthetic character to human experience provides a justification for art education in the schools. His major work, "Aesthetics," and subsequent writings that have a bearing on art education are discussed. (Author/RM)

Attempts to bring composition studies into a more thoroughgoing discussion of the place of visual literacy in the writing classroom. Argues that throughout the history of writing instruction in the United States the terms of debate typical in discussions of visual literacy and the teaching of writing have limited the kinds of assignments educators…

This paper is a report on a decade of teaching visual literacy at the American University (Washington, D.C.). Visual literacy is defined as an awareness that comes with appropriate development of basic visual and aural competencies. The 15 reasons for studying visual literacy are perception, drawing, expression, brain awareness, design elements,…

Asserts that visual literacy will increase in importance as mass communication continues to exploit the use of images as the basic conveyors of information. Explores the role of visual literacy and art production in discipline-based art education. (JDH)

Identifies concepts relevant to aesthetic literacy, suggests possible procedures for instruction, examines different interpretations of aesthetics, and presents a curriculum model for aesthetic literacy. (Author/JDH)

The definition and function of visual metaphor in selected paintings and sculptures from Picasso's works are explored. (RM)

Outlines the history of information visualization, the present state of the art, and the possibilities and challenges that lie ahead. Describes how the articles in this special issue (devoted to visualizing information) help explain the principles and practices of information visualization. Challenges technical communicators to expand their view…

Notes that basing composition almost exclusively on verbal instruction counters the very nature of literacy education, because the current verbal-based education system produces illiterates in this highly visual and multimodal modern society. Demonstrates composition's verbal bias; argues that this bias is both politically and rhetorically…

Academics have a long history of claiming and defending the superiority of verbal over visual for representing knowledge. By dismissing imagery as mere decoration, they have upheld the sanctity of print for academic discourse. However, in the last decade, digital technologies have broken down the barriers between words and pictures, and many of…

This article describes the importance of architectural studies for art students. Recommends that architectural studies include historical trends, critical analysis, and studio practice. (JDH)

Advocates instruction in drawing for journalists to promote functional visual literacy. Argues that journalists comfortable with basic drawing will write more vividly, handle layout problems better, and have better relationships with artists and photographers than journalists not comfortable with basic drawing. Offers instructional objectives and…

Advises that teachers help journalism and mass communication students learn to interpret and create clear, effective visual messages. Argues that each introductory journalism course should explore connotations of colors, shapes, and texture in print and broadcast media. (PA)