Addresses the rhetorical functioning of musical form through a study of the interrelationships among musical, poetic, and structural facets of Leonard Bernstein's Third Symphony. Argues that the symphony's appeal rests in its empowering of human agents by enacting a transcendent rebirth achieved through a series of lateral transformations.…

Examines a dissertation that provides a classification and analysis of 197 "bebop" themes. Explains a major drawback of the study is the author's unwillingness to interpret his data and answer questions the study raises. Concludes with a rebuttal which defends the study and explains the research rationale. (BSR)

The author attempts to briefly review the current state of music education; relate this situation to theoretical elements of the musical experience; describe the educational strategies required to deal with the complexity of musical experience; and suggest a possible pedagogical and theoretical orientation to the problems of professional music…

A look at the history of music education in American colleges and universities indicates its late development. Suggestions for enhancing the nation's musical life include viewing composition, performance, and listening as integrated processes; developing a broader focus for music specialists; and paying more attention to musical literacy in the…

At the end of the two-year term of the first licenses for performance of music copyrighted under the new copyright law, the "model" licenses are being reconsidered. Considered here is whether an institution should sign a model license, or any other license, based on reference to the law itself. (MSE)

Offers ideas for teaching musicians to be improvisors. Suggests that structure, organization, and continuity are problems that can be solved by learning to improvise. Recommends exercises in building phrases to help students acquire a sense of the developing whole. Concludes that improvisation can be taught by showing students how to teach…

Focuses on how important it is for teachers to understand music editorial practices. Explains that the knowledge can help them select appropriate performing editions of music for their classes. Provides background information on editorial practices and the philosophy and methodology behind them. Discusses the nature of primary sources. (CMK)

Discusses the condition in which people are confused about the nature and use of intellect in the arts. Focuses on associated dilemmas, the root cause, and how to address them. Explore topics such as musical/artistic mindedness and the benefits of a comprehensive music education. Includes suggestions. (CMK)

Discusses how the outgrowth of the praxial philosophy in music education is misunderstood and has led to a lack of informed dialogue on the differences between praxis and philosophical bases for music education. Presents an interpretation of Aristotle's idea of praxis and considers praxis in terms of implications for music education. (CMK)

Offers an interview with Sir David Wilcocks, an organist, conductor, and music educator, in which he discusses different organs, what influenced him to become a musician, his experience of teaching a boy's choir, the characteristics of a great ensemble, musical compositions, his "Glories of Shakespeare" collection, and the importance of…

Otto Luening, one of the pioneers in the development of tape composition, talks about a variety of topics, including the education of musicians, the relationship between composer and teacher, his class for non-music majors, the musical training a teacher should have, and changes needed in music education. (RM)

Considers why students should participate in a chamber music ensemble: (1) students develop a sense of collegiality and self-worth; (2) ensembles encourage practice time; and (3) ensembles provide flexible performance opportunities. Highlights the different aspects of creating an ensemble from the availability of faculty to selecting challenging…

Born in 1910, composer William Schuman has been deeply involved with music education, first as a college professor and later a president of the Julliard School of Music. In this interview, Schuman talks about what music means to him, his teaching career, and music in general education. (RM)

In a sample of students (n=93), preference for country and western music was not associated with depression or suicidal preoccupation as has been suggested by Stack and Gundlach. However, preference for heavy metal music was associated with prior suicidal ideation. Stronger associations were found between music preferences and measures of…