Criticizes the movie "Schindler's List" as portraying the Holocaust in a profane manner. The author suggests Schindler is a bad choice as a protagonist because his story distracts the audience from the real victims. He views the choice of a non-Jew in a heroic portrayal of this type as one culture's way of popularizing another culture's…

Films, television programs, and even television commercials tend to distort, romanticize, and stereotype the values, concerns, and life-styles of ethnic minorities. (Author/EB)

This paper presents a history of motion pictures that focuses on how motion pictures, from 1894 to the present, have portrayed Latins. The role that Hollywood has played in the perpetuation of stereotypes is illustrated. There is an explanation of how film has illuminated a world beyond everyday experiences and has introduced the movie-goer to new…

Latin elements or themes made for the North American market have been used in American films, but at the same time these films have been playing in a Latin American market, making it useful to examine how Latin America has been portrayed in these films. The taste for exotic locales and themes is an element that has been present since the…

For many years, the dominant image of Africa seen on Western films was that of condescension and paternalism. The history of films about Africa, with some exceptions to the prevailing portrayals, is traced; and the origin and growth of the African film industry are reviewed. (SLD)

Early images of African Americans in films determined a pattern that survived until World War II. The role of the National Association for the Advancement of Colored People in creating new images of African Americans after the war films is profiled. Although changes seem modest, they reflect some social movements. (SLD)

Opening in 1981 to moviegoers in Japan, France, and the United States, "The Gods Must Be Crazy" became an international hit. Set in Botswana, the film covers a relatively small geographic area yet nevertheless can open classroom discussions about how many cultures and how much cultural diversity can exist in a small area. It has three…

Popular movie depictions of racial minorities as dysfunctional help maintain the present race-linked social stratification by instilling a sense of social disharmony and justifying continuing racial oppression. The enthnocentric bias of the majority of films reinforces stereotypical perceptions of minorities and legitimizes the status quo of white…

Political conditions have influenced the screen images of U.S. cinema, and the images of African Americans have reflected prevailing social stereotypes. The history of African-American representation in films is traced, and it is noted that the tendency to portray African Americans stereotypically has not changed. (SLD)