This paper presents a discussion of the use of microcomputers and computer graphics programs as basic design experiences which relate as much to the right as to the left side of the brain. It reviews selected research in art education that shows the importance of the right brain in various areas of creative behavior and in developing drawing…

Visual literacy contains a vat of underlying understanding that fuses to the bones of students who actively pursue an art education. For everything visible, there is an invisible internal counterpart, and arts education provides vital depth that is currently being drained from Canadian culture. Visual literacy begins with the elements and…

In an interview, designer and filmmaker Saul Bass discusses the nature of creativity and the creative process and his work in the visual arts and their implications for education. (HTH)

Discussed are the goals of a unified national art curriculum: (1) developing visual perception, (2) developing visual literacy, (3) helping students discover and use their creativity, (4) teaching students to respond to personal experiences and their environments, and (5) refining skills in used art media. (RM)

This paper presents a rationale for including aesthetic education in the traditional elementary and secondary curriculum. By teaching students to perceive images as artists do and to make images as artists do, aesthetic education fosters imaginative perception and sensitivity to a broad range of feelings. Four factors contribute to the need for…