Arts advocacy is on the minds today of many who are involved in theatre education, and the arts in general. This author offers an interesting perspective on the movement by focusing on understanding who engages in arts advocacy, what they are advocating for, how they approach their efforts, and why they undertake arts advocacy in the first place.

During the last century, appreciation courses and theatre departments have gained a place in community colleges. An examination of current textbooks reveals that pedagogical approaches to introductory theatre courses have focused on fostering an understanding of the history and the "poetics" of theatre. While this avenue is useful, I propose that…