I am regularly asked, "What does this have to do with art education?" or "How is this art?" For instance, I like to do a project using the ongoing exhibition, do it, which is a curatorial project that started in 1993. At that time, Hans Ulrich Obrist invited 12 artists to submit a score, or set of instructions, that would then…

Olivia Gude has a long and distinguished career as both a public artist and an art educator. She is currently the Angela Gregory Paterakis Professor and Chair of Art Education at the School of the Art Institute of Chicago (SAIC), where she works with graduate and undergraduate students to prepare for working as artist educators in school and…

Stephen Vitiello is a world-renowned contemporary sound artist whom the author has known as a colleague for several years. This article presents an interview about the overall body of Vitiello's work to date, and his thoughts on teaching at Virginia Commonwealth University. The interview explores the creative and noncreative tensions between…

Media arts has been familiar to many through television, film, and digital graphics, and often appears as an extension of the four traditional arts disciplines: music, arts, theatre, and dance. As media arts continues to acquire its own unique identity, particularly through technological means, it has been included as a stand-alone discipline in…

In the language of the collective subconscious the term "pure" applies to both the "pure innocence of childhood" as well as the "pure artistic genius." However, the "pure at heart" come in many shapes and sizes, and the thought of these mingling leaves many people feeling uncomfortable. There is something slightly unsettling about this potential…

This essay argues for a fundamental change in the direction of art, its education and research that draws on Alain Badiou's notion of "inaesthetics" and negative affirmation as well as Deleuze's reorientation of "aesthetics." I draw on the inspiration of Vincent Lanier's critical spirit and Irwin Kaufmann's ideas on art, creativity, and research…

To shed light on the decline in demand for the nonprofit arts, the authors describe what it means to cultivate demand for the arts, examine how well U.S. institutions are serving this function, and discuss whether it is in the public interest to make such cultivation a higher priority than it has been in the past. The authors propose that a strong…

Museums have become a crucible for questions of the role that traditional art and art history should play in contemporary art. Friedrich Nietzsche argued in the nineteenth century that museums can be no more than mausoleums for effete (fine) art. Over the course of the twentieth century, however, curators dispelled such blanket pessimism by…

In this article, the author shares her inspiring experience when she was working as a pre-service teacher. She was helping a student named DeVaughn, who was frustrated by that day's sketchbook assignment. The class was supposed to be drawing a pile of shoes, capturing all the details and values. DeVaughn understood what was expected for the…

This essay focuses on a 4th year course, titled "Search/Research/Resolution," that the author has developed at the Ontario College of Art and Design (OCAD), Toronto. First taught in 2002, the course is held over a fourteen week semester each fall, with one three hour class per week. It is offered within the photography area at OCAD in…

Job security is a relatively new concept in the ancient field of teaching art. Historically artists have created, and been judged on, their own credentials--that is, their art. The master of fine-arts (M.F.A.) degree, often described as a "terminal degree," or the endpoint in an artist's formal education, has long been sufficient for artists…

Responds to Brent Wilson's report "The Quiet Evolution: Changing the Face of Arts Education," focusing on how Wilson centers the curriculum around key works of art. Explains that ideas, issues, and themes should be central instead and addresses the development of teacher expertise. (CMK)

An exploration of four rivers--the human brain, Nile, Orinoco, and the river created from ideas--shows how diverse expressions of art as a human activity may be and that art has a momentum generated and sustained by forces far greater than those possessed by school boards or legislative bodies. (RM)

In an increasingly religious culture, and with museum audiences with large populations of children, nude artworks continue to be cultural lightning rods, generating controversy--sometimes disliked, feared or misunderstood. As a figurative painter who paints nudes, and more importantly as a Teaching Artist who deals with nudity in classroom or…

Artemis is a late Hellenistic Greek marble sculpture of the huntress, running in a flowing garment, now lacking arms, legs, and head, and about three-quarters life-sized. The llama is a remarkable hollow male figure of smooth thin gold, and about two inches tall, and was made by the Inca before the Spanish conquest in 1532. This narrative is just…