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Bradley, Karen Kohn – Journal of Dance Education, 2009
At Arts Advocacy Day 2009 in Washington, over 500 citizens educated, advocated, and lobbied for federal support for the arts and its positive impact on the U.S. economy. This year the Nancy Hanks Lecture was given by Wynton Marsalis, whose extraordinary address voiced the potential of the arts in this new era of hope. For dance educators, Marsalis…
Descriptors: Dance, Dance Education, Advocacy, Cultural Activities
Stinson, Sue – Journal of Dance Education, 2005
Those who have advocated for dance in public education have also found their discipline to be easily malleable to fit whatever goals and values seem in style. In different times, dance education has been marketed as a way for students to become healthier, better adjusted, better problem solvers, better critical thinkers, better team players, more…
Descriptors: Dance Education, Advocacy, Public Education, Dance
Hanna, Judith Lynne – Teaching Artist Journal, 2004
In 2003, the Arts Education Partnership's Second National Forum on Partnerships Improving Teaching in the Arts recommends that Teaching Artists be trained to be advocates and to speak publicly to education stakeholders about what they do. The author agrees. However, she believes that Teaching Artists must familiarize themselves with the available…
Descriptors: Artists, Art Teachers, Art Education, Advocacy

Howe, Dianne S., Ed. – Journal of Physical Education, Recreation and Dance, 1990
This feature examines several issues related to the future of dance education: dance education within the context of futurist thought, core knowledge of dance, performance-geared dance training, a paradigm for dance education in the postmodern world, goals for the future of dance education, and strategies for dance education advocates. (IAH)
Descriptors: Advocacy, Curriculum Development, Dance Education, Educational Change
American Council for the Arts, New York, NY. – 1989
This collection of speeches focuses on arts advocacy from perspectives ranging from arts education to the role of government and business in the arts. The book contains an introduction by Milton Rhodes and includes eight speeches: (1) "To Answer the Hunger Within" (Thomas H. Kean); (2) "It is the Dark We Have to Fear" (Edward Albee); (3) "Making…
Descriptors: Advocacy, Art Education, Business Responsibility, Dance Education