Recognizes elementary teachers' lack of training in art education and presents approaches to aid them in art instruction. Discusses types of art and projects that can be implemented in the classroom to give students an appreciation for a wide range of art. (DMM)

Describes Camp Invention--a day camp devoted to creativity and science, and the result of a partnership among 248 nationwide schools and a nonprofit center for creativity in Ohio called Inventure Place. States that the camp, designed for second to sixth graders, provides a creative setting in which students' abilities are needed to accomplish…

The author describes his approach to early art education. Utilizing a puppet companion and found materials, he presents art as a sensory and intuitive experience. (SJL)

Reviews attitudes toward art in the early Catholic Church, considering the ability of art to influence those who experience it. Highlights the spiritualism of the Russian painter, Wassily Kandinsky. Suggests ways in which today's religious institutions can use art as a form of outreach to bring greater meaning to members of their congregations.…

Feels education has neglected the visual and creative parts of the self accessible through art. Offers a rationale for having K-12 students draw for 30 minutes daily following structured visual exercises to strengthen skills in seeing, remembering, and connecting. Offers a critique of Mortimer Adler's Paideia Proposal. (DMM)

Describes The Lab School's (in Washington D.C.) use of the arts to provide nontraditional learners with new routes to learning. States that the arts give these special children a chance to express their creativity, feel good about themselves, and learn skills they cannot learn traditionally. Looks at art as salvation, diagnostic tool, and teacher.…