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McComb, Camilla – Art Education, 2006
As a young art teacher, this author was inspired by the advice of Faith Ringgold, who emphasized the importance of creating time during each day to create art. This advice led the author to develop a painting discipline by creating "The 40/40 Challenge" for her students in Painting I and Painting II classes. The 40/40 Challenge is a voluntary…
Descriptors: Painting (Visual Arts), Studio Art, Teaching Methods
Chung, Sheng Kuan – Art Education, 2006
The importance of multicultural art education has been addressed by art educators over the past 15 years. Art educators maintain that art is capable of empowering mutual respect and appreciation for people, objects, and ideas among diverse groups. Although many educators/teachers use non-Western artworks or artifacts to enrich their art programs,…
Descriptors: Asian Culture, Religious Factors, Art Education, Aesthetics

Martin, Floyd W. – Art Education, 1987
Notes that educators often view art as an intellectually shallow, mechanical process. Describes Sir Joshua Reynolds's concept of invention as the intellectual combination of placing the painter's mental picture of actions, expressions, and characters on canvas. Calls for educators to stress intellectual qualities of art in order to develop…
Descriptors: Art, Art Education, Art History, Higher Education

Irvine, Hope – Art Education, 1983
There are five categories of titles of paintings: descriptive, narrative, directive, poetic, and arbitrary. When children title their work they give clues to its intent and challenge the presuppositions that adults may bring to children's art. Titling can expand students' ideas for painting and provide a greater variety of approaches. (CS)
Descriptors: Art Activities, Art Education, Childrens Art, Elementary Secondary Education
Wexler, Alice – Art Education, 2004
Since opening in 1999, the art studio at the Northeast Center for Special Care (NCSC) serves as a reprieve from the tragedy of loss that pervades every corner of the facility. Working for over two decades with people who have a wide range of disabilities, artist Bill Richards creates a charmed space in the NCSC studio. The neighbors, as they are…
Descriptors: Head Injuries, Neurological Impairments, Student Experience, Painting (Visual Arts)

Lieberman, Barry – Art Education, 1983
The part that words play in teaching art has been underestimated. In a good art class, there is an interplay of ideas about the ongoing work. By using the right words, the teacher can help students develop their creative faculties. (CS)
Descriptors: Art Activities, Art Education, Art Expression, Painting (Visual Arts)

Petit, David A. – Art Education, 1988
Offers an overview of the meaning and development of traditional Flemish and French still life painting. States that art history, as well as technical process, must be taught for discipline based art education to be effective. Describes Flemish still life classifications, eighteenth and nineteenth century French works, and still life symbolism.…
Descriptors: Art, Art Appreciation, Art Education, Art History

Ettinger, Linda; Roland, Craig – Art Education, 1986
An overview of ways the microcomputer can be incorporated in existing art curricula is provided. Emphasized are the use of the microcomputer as part of studio art activities and the study of microcomputer art. A bibliography of software references is provided. (RM)
Descriptors: Art Education, Computer Assisted Instruction, Computer Graphics, Computer Software
Kerr, Lynda C. – Art Education, 2005
National Board Certification is intended to indicate that "a teacher is judged by his or her peers as one who is accomplished, makes sound professional judgments about students' best interests, and acts effectively on those judgments." This author, the first National Board Certified Art Teacher in Georgia, offers a first-hand perspective…
Descriptors: Creative Thinking, Teacher Certification, Art Teachers, National Standards

Detmers, William R. – Art Education, 1996
Presents an interview with Dr. William R. Detmers, an exhibiting artist and teacher for over 30 years. Dr. Detmers discusses the changing conceptions of both the forms and purposes of art, his own artworks, and the symbiotic relationship between exhibiting and teaching. (MJP)
Descriptors: Art Activities, Art Education, Art Expression, Art Materials