Finds that "Strangers from a Different Shore" is a balanced and successful example of sociological research in the comparative/historical manner, and recommends it highly. Notes that quantitative sociological research on Asian Americans is relatively undeveloped. (DM)

Denounces the treatment of Ronald Takaki's "Strangers from a Different Shore" by members of the Association of Asian American Studies who criticized it on grounds of scholarly ethics. (DM)

A social historian and anthropologist whose unpublished work was used without permission in Ronald Takaki's "Strangers from a Different Shore" criticizes the author's lack of care in footnoting and attribution. (DM)

Commends the book as a general introduction. Finds, however, that much of the material is secondary, with insufficient attribution. The book's coverage of the postwar period is largely anecdotal and does not record the recent emergence of ethnic and political consciousness, community organization, and artistic expression among Asian Americans. (DM)

"Strangers from a Different Shore" paints a panoramic vista, speaks with an epic voice, is easy to read, but contains many misleading statements and imprecise generalizations. The author fails to acknowledge his debt to other researchers and writers. (DM)

"Strangers from a Different Shore" makes significant use of Asian-American literature, especially autobiography, but consistently misses the women's viewpoints of themselves and their experiences. Cites interesting and pertinent material might have been included. Calls for a feminist treatment of this subject. (DM)

Ronald Takaki accounts for his having used Karen Leonard's material without permission and defends his omnibus style of footnoting. He discusses revisions made in the subsequent edition of "Strangers from a Different Shore" in response to Professor Leonard's requests. (DM)

Argues that Asian American literature is too narrowly defined to include the wide range of diversity it contains and calls for Asian writers to produce work from a more generous interpretive perspective. American poetry is extolled for its beauty of language and its effect on the emotions to both energize and sadden. (GR)

Introduces three Chinese-American writers who live in Hawaii: Wing Tek Lum, Darrell H. Y. Lum, and Eric Chock. Discussion and excerpts illustrate island influence on central Chinese-American themes--kinship relations, the struggle against racism, and the legacy of traditional Chinese culture in both its positive and oppressive aspects. (DM)

Examines Chinese-American author M. H. Kingston's book "The Woman Warrior" and the controversy and literary response to it. Discusses the dilemma of the "ethnic" writer and other issues including the use of literary license and social documentation and tensions between historical and experiential authenticity. (JB)