There are many experiences that we have, such as eating and talking, when we don't have to be focusing on anything visual. Art educators need to help children portray the sensory aspects of such experiences and to decrease their reliance on the visual aspects of experience. (RM)

Contends that history is a nearly "sense-less" profession because reading is almost the only source of historical understanding. Reviews content related to sensory experiences in college history textbooks. Argues that including language about the senses in historical writing and instruction will enlarge the audience and the field of…

Describes a study that examined the effects of various computer reinforcement responses, including graphics and/or sound, on students' attentiveness to the program. Implications for educational software design are discussed. (CLB)

Hearing-impaired children need not be excluded from the music classroom. Even the severely hearing-impaired child can receive sensory satisfaction and valuable auditory training from experiences with music. How music can enrich the lives of the hearing-impaired is discussed. (RM)

Sensory metaphors--based on visual, auditory, kinesthetic, olfactory, or gustatory sensation--are pervasive in everyday communication. Teachers can improve communication with students by learning to recognize sensory metaphors, matching their own sensory language with that of their students, maximizing sensory channels, and teaching sensation and…

The arts are basic educational processes that involve students with different abilities and from differing age groups in sensory perception. This perception, augmented by the use of art compositions, establishes a critical dialogue between the medium and the viewer. What one views, sees, and observes in an art piece serves to create a…

A practical guidebook of ideas, lesson materials, and related resources for developing imaginative and productive thinking skills of children is presented to assist teachers and parents. Emphasis is placed on the use of strategies and techniques that enhance originality, mental imagery, reverie, reflection, humor, novel playfulness, and divergent…

Asserts that the self-actualizing and expressive nature of dance contributes to an intuitive sense of morality. Criticizes the body versus mind dualism and antibody bias implicit in the Western intellectual tradition. Contrasts the aggressive nature of sports with the expressive character of dance. (MJP)

Argues music educators must holistically address the subjective side of music listening as well as objective properties. States individual perceptions are neglected and students must experience the balance between subjective and objective realities to fully educate the senses. Advocates critical thinking and moving beyond a technical vocabulary to…